In very sad news, Filament Theatre Ensemble reports the sudden death of its member and business manager Allison Powell. Powell was responsible for the Shakespeare adaptation “Choose Thine Own Adventure” last fall; we described her work as ingenious.

The release from Filament follows.

*** THE FILAMENT THEATRE ENSEMBLE MOURNS THE LOSS OF ALLISON POWELL***
***Allison Powell Memorial Event and Artist’s Gift***

Allison Powell of the Filament Theatre Ensemble passed away from a sudden illness on January 2, 2011 at the age of 28. In addition to serving as the company’s business manager, Allison adapted Filament’s most recent production, Choose Thine Own Adventure – a Shakespearean choose-your-own-adventure play which enjoyed a very successful run at the Underground Lounge through December 11, 2010. Read the rest of this entry »

Chaon Cross as Celia, Kate Fry as Rosalin, and Matt Schwader as Orlando/Photo: Peter Bosy

By Dennis Polkow

When Gary Griffin was hired as associate artistic director at Chicago Shakespeare Theater a decade ago, it was principally to expand the company’s programming beyond the classics. Griffin has done exactly that by directing widely acclaimed productions of Stephen Sondheim, Noel Coward and Peter Shaffer at CST, among others.

And though Griffin has done a number of “Shakespeare Shorts,” as the company calls its one-hour adaptations, it was only a matter of time before the veteran director who is primarily associated with directing musicals—including “The Music Man” at Marriott Theatre through January 9, and more recently, operettas at Lyric Opera, including “The Mikado” which is running through January 21—would at some point tackle a full-boat Bard.

“One of the reasons that I wanted to work here is because it was an opportunity to explore an area of theater that I hadn’t worked in,” admits Griffin, during a break at a New Year’s weekend tech rehearsal at Chicago Shakespeare Theater. “I had never done Shakespeare and as you get older, the classics become more and more appealing. It was unknown territory, and that was exciting. That was a big appeal.”

Griffin admits that being part of the CST has meant that his forays into Shakespeare “both by experience and by osmosis get inside of you. It certainly has been a great experience to spend this much time and watch a lot of people tackle [Shakespeare in] a lot of different ways. Then you discover what your version is, or what at least, at this point, you hope it will be.” Read the rest of this entry »