Theater, Dance, Comedy and Performance in Chicago

Review: My Fucking Scene Partner Didn’t Learn Their Lines/Under The Gun and The New Colony

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tim-sam-mollieIt’s hard to find a consistently good improv troupe. To gain the distinction of being good at anything requires a record of success, which is hard enough for the subjective art that is comedy without adding on the additional hurdle of creating your own content every night. Judging that art, then, is even harder, because only so much can be gained from a single exposure to the variable work.

So I’m not certain if the concept of the Under The Gun and The New Colony collaboration show “M.F.S.P.D.L.T.L.” (sorry, word limits) is a good one or a bad one for improv. Certainly, it sounds like it’s perfect: an actor from The New Colony performs half the dialogue in a scene from a New Colony play, while an Under The Gun ensemble member improvises the responses, with no idea what’s coming next. Naturally, this leads to moments of confusion, where the improv comes into direct conflict with the script. In the show I saw, the improviser introduced himself as Bob, but was immediately referred to as Todd in the next line. Read the rest of this entry »

Review: Dan & Kate’s Book Club/The Annoyance Theatre

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“We are bibliophiles, we know every book known to man.” So begins “Dan & Kate’s Book Club,” a Friday-night foray into literature for the ludicrous. If you are truly a bibliophile, and the idea of an improvised show based off your favorite esoteric novel appeals to you, this show will either tickle your erudite sensibilities or disappoint you until you make snarky comments about how you didn’t expect them to know that author anyway. Read the rest of this entry »

Review: A Night of Whodunnit/Under The Gun Theater

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Alex Wiseman, Matt Pina and Matt Fox

Under The Gun Theater is rife with catchy concepts. Their “Comedy Against Humanity” show was so popular that—despite an informal agreement—Cards Against Humanity objected, forcing the show to close just as it was really taking off. Walking into the theater Thursday night for “A Night of Whodunnit,” I noticed Cards Against Humanity packs for sale at the bar. A sign of no hard feelings, perhaps? Or a reminder that this is a theater that knows (and has proven) that they can deliver on concept work?

“Whodunnit” is actually a double-header, consisting of “One Story Told Week by Week” (a parody of the oh-so-popular NPR podcast “Serial”) and “The Improvised Adventures of Sherlock Holmes & Dr. Watson” (self-explanatory), in that order. The sources may differ but the theme is the same. To quote R. Kelly: “There’s a mystery going on and I’m gonna solve it.” Both shows last thirty minutes with a ten-minute intermission in between. Read the rest of this entry »

Review: VAMP: A Music Comedy Drinking Show/MCL Chicago

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Michael Shepherd Jordan and Alex Garday


Walking into the MCL Chicago space for “VAMP: A Music Comedy Drinking Show” is like walking into a raucous house party that’s just getting started. A four-piece band (Doc McCullough & The Vampers) plays frenetic jams while audience members mill around chatting and sipping from their various BYOB selections. And once the show gets started, under the direction of endearingly wry host Keenan Camp, it’s not that different from a house party itself. In fact, “VAMP,” as a whole, feels like a loosely organized, low-pressure showcase by a group of popular, talented, semi-intoxicated improvisers in a friend’s basement, with all the pros and cons associated with that scenario. Read the rest of this entry »

Review: Buzzed Broadway/MCL Chicago

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Steven Lyons and Alexander Smith Photo: Heather Scholl Photography

Steven Lyons and Alexander Smith/Photo: Heather Scholl Photography

Improv is a skill. Being able to successfully improvise a storyline to music while drinking is an even greater skill. That’s the challenge the cast of “Buzzed Broadway” takes on during each performance at MCL Chicago.

Watching “Buzzed Broadway” is kind of like watching a group of drunk musical theater students at a party: it might be funny if you’re participating—and drinking along with the cast is encouraged—but if you’re sober, you’ll notice that the story doesn’t always make sense and the singing isn’t always in key. Still, it’s good for a few laughs here and there. Read the rest of this entry »

Review: ComedySportz/ComedySportz Theatre

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Meg Grunewald (referee) and player Alex Garday (in red)/Photo: James Rand


A brand since 1984, in Chicago since 1987 and in their current digs on Belmont since 2007, ComedySportz has clearly hit on a winning formula, proudly maintaining the title of longest-running short-form-improv comedy show in Chicago and extending that run every week. And short form it is, with quick, fast-paced games (most familiar to anyone with a little exposure to improv) making up the majority of the ninety-minute running time, which plays out as a competition between a blue home team (the Chicago Bosses) and a red visiting team (the Lyle Lovetts on the night I attended).

The lovely hardwood stage looks like a cross between a locker room, a performance space and a basketball court, with each team of three jerseyed players given a bench and a television screen to track their ongoing score. Points are awarded based on the success of improv games and there’s an announcer, a referee, an Applause-o-meter and… much like the show itself, which spends a solid ten minutes on introductory information, I’ve already used up a good deal of real estate explaining the premise. Suffice it to say that there is improv, there is competition and there is comedy. Read the rest of this entry »

Review: Second City’s Improv All-Stars/The Second City

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(left to right) Adam Peacock, Ryan Archibald, Brooke Breit, Kevin Sciretta Second City Improv All-Stars . © Todd Rosenberg Photography 2015

Adam Peacock, Ryan Archibald, Brooke Breit, Kevin Sciretta/Photo: Todd Rosenberg


Still going strong after more than three years, this sixty-minute showcase of Second City’s improvisational skill, with an on-stage cast of five that rotates through almost twenty listed cast members, manages a healthy mix of audience-pleasing quick laughs and more in-depth improvisational games. Director Mick Napier has allowed for plenty of audience suggestions (who laughs more than the person whose suggestion was taken?) with quick, clearly explained improv games while still letting his performers take a few scenes to expand on lengthier scenes with more character development.

On the Monday night I attended, the UP Comedy Club was nearly full and nearly every game, from the stalwart “freeze” to more elaborate games involving telling a story from multiple character perspectives and styles, landed. But the darker moments stood out—“Reunions are about going to be with the people who are supposed to make you happy but they don’t.”/”I thought that’s what Facebook was?”—demonstrating that this cast knows what’s funny is not always happy. Read the rest of this entry »

Review: Ithamar Has Nothing to Say/Second City

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Ithamar Second City_00027

Ithamar Enriquez


While watching Second City alum Ithamar Enriquez, I couldn’t help but think of “Geri’s Game,” the Pixar short film wherein an elderly man plays an increasingly erratic and high-stakes game of chess against a vicious opponent that turns out to be none other than himself. “Ithamar Has Nothing to Say” is not just a solo performance. It’s also a silent one. Billed as a modern update of the silent masters, Enriquez has sculpted, along with director Frank Caeti, an ode to vaudeville that also celebrates the “Yes And” brand of comedy touted by Enriquez’s alma mater.

Anyone accustomed to sketch or standup may take a little while to adjust to “Ithamar Has Nothing to Say.” The show’s first ten minutes demonstrate Enriquez’s physical dexterity, as he hops all over the stage, seemingly against his will. Transitions between sketches can sometimes be abrupt, though Enriquez keeps the energy going through each. The show uses a good deal of music across a broad genre spectrum, whether it be for the purposes of clever sendup—a The Who-themed spot is particularly hysterical—or to cue the audience into a cultural reference a la Enriquez’s string of handsy movie parodies. Read the rest of this entry »

Funny Future: Looking For the Next Kevin Hart at the Break Out Comedy Festival

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By Loy Webb

When I was younger, my two sisters and I shared a room. One of our many Saturday rituals was flipping through magazines to find pictures to decorate our walls. Most of the pictures consisted of our favorite members of an R&B boy band called B2K (pretty hot in the early 2000s).

But my younger sister, I kid you not, cut out a picture of Kevin Hart and put it on the wall. She was in elementary school at the time mind you, and nobody knew who he was. He hadn’t had a major movie, a comedy special, let alone the title he has today as one of the world’s top comedians.

And if you walk into our house today, on that wall, between the old pictures of Kanye West, Destiny’s Child, Usher and Jamie Foxx, is a picture of a young Kevin Hart with a blurb on the side that reads “up and coming comedian/actor.”

I remember asking my sister why she put that picture up. She shrugged and said she thought he was cute. But maybe, just maybe, she saw his star potential. I know that’s pretty deep for an elementary school kid, but hey, a child shall lead them right?

Watching the two-day “Break Out Comedy Festival” presented by NBC Universal and Second City this weekend, I felt like my younger sister. I was not just bearing witness to the next generation of comedic talent, but the next generation of comedic stars with futures filled with blinding brightness. Read the rest of this entry »

Review: Antic’s Roadshow with Devon Myers/MCL Chicago

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Steven Lyons/Photo: Tiela Halpin Photography

Steven Lyons/Photo: Tiela Halpin Photography

Chicago, as you may be aware, is the center of the universe when it comes to improvised sketch comedy. Stages are filled nightly by young comedians who are trying really hard to break into the upper echelons of the comedy field. Sadly, for the cast of “Antic’s Roadshow with Devon Myers,” trying really hard isn’t enough to make a performance worth watching.

The premise of the partly scripted performance is that an aging D-list celebrity, Devon Myers (Steven Lyons), has been tapped to host a PBS-like program conceived by Preston Antic (Scott Allen Curry). The program resembles what “Antiques Roadshow” would be like were it held on the Island of Misfit Toys. The show’s focus is primarily on the appraisers, rather than the items brought in by the studio audience. Each performer introduces themselves in a pre-written song which details exactly how messed up they are. Read the rest of this entry »

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