Theater, Dance, Comedy and Performance in Chicago

Review: Depraved New World/Second City

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John Hartman, Chelsea Devantez, Emily Walker, Tawny Newsome, Steve Waltien/Photo: Todd Rosenberg

John Hartman, Chelsea Devantez, Emily Walker, Tawny Newsome, Steve Waltien/Photo: Todd Rosenberg

Though you can almost always count on Second City revues to deliver plenty of laughs, thematic consistency isn’t quite as reliable. “Depraved New World”—the 102nd revue to grace the main stage—manages both without short-changing either. And that consistent theme isn’t depravity—though there’s enough of that sprinkled throughout to justify the title. It’s a bit deeper than that. Under the direction of Mick Napier, the cast members of “Depraved New World” (who are also the writers) explore the internal struggle we all go through regarding our own insecurities, shortcomings and frustrations.

This concept is introduced in a song that finds various characters being confronted by their inner voices berating them for telling a stupid joke or asking a stupid question or just not making good enough brownies: in short, for being human. “Does everyone feel this way?” wonders one character after receiving an upbraiding by a nagging inner voice. And the unspoken answer is, “Of course.” Not feeling up to snuff is a universal theme that is instantly relatable to all. It also provides plenty of fodder for laughs. Read the rest of this entry »

Review: Cupid Has a Heart On: A Musical Guide to Relationships/The Cupid Players at Stage 773

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High-Res CUPID Photo“You don’t have to be smart to laugh at farts,” Louis C.K. sagely explained in one of his many oft-quoted interviews, “But you have to be stupid not to.” The ensemble of “Cupid Has a Heart On”—which has been consistently running for more than a decade (making it the longest-running sketch comedy show in Chicago history)—would certainly agree. But while most of the humor in here is decidedly lowbrow (one memorable punchline is literally “poop poop poop poop”), it’s also consistently laugh-out-loud funny. If you measure the success of a comedy show by setting up some kind of hits-to-misses ratio, rest assured that “Cupid’s” arrows solidly hit their marks much more often than not. Read the rest of this entry »

Review: Bye Bye Liver: The Chicago Drinking Play/The Public House Theatre

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Photo: Patrick Lothian

Photo: Patrick Lothian

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Before this hour of booze-soaked sketch comedy even starts, the audience spends plenty of time drinking in the lobby. And again in their seats after the house opens. And don’t worry, there are plenty of waitstaff dashing around throughout the show ready to serve you more shots, cocktails and buckets of beer. Unsurprisingly, there’s a telling scent of alcohol in the air as the show starts, with an emcee (Josh Dunkin, charming and smarmy in equal measure) who broadly states, “I’m assuming everybody here enjoys drinking… otherwise you’re in the wrong show!”

What follows is a cocktail of comedy scenework and interactive drinking games (name that tune, anyone?). The bits are laugh-out-loud funny (particularly a lengthy one between Sherra Lasley and Mike Barton that showcases the effects of various alcohols on a three-year-anniversary date) and the audience participation is engaging and just rowdy enough to remind you that most of the audience is buzzed, if not downright drunk (there’s a reason everyone in the cast is miked). Keyboardist Tilliski Ramey provides a skillfully comedic soundtrack throughout. Read the rest of this entry »

Review: TJ & Dave/iO Theater

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TJandDaveRECOMMENDED

It’s late on a blustery winter night in Wrigleyville and aside from a few mounds of icy snow the streets are mostly empty. But inside the iO Theater there’s a line that bunches around the ticket window, the entry and the stairs to the second floor, as those who booked in advance pick up their tickets and others anxiously wait to find out if any seats will open up at the last minute.

“I’m just here on the off chance that a ticket might open up,” the guy directly in front of me tells me eagerly. On a sub-freezing weeknight when most sensible people are staying home and warm, this 11pm show is sold out, with a waiting list. And this is fairly standard for TJ & Dave, a duo of improvisers that perform in this slot every Wednesday night at iO and have been working together for more than a decade.

As with most improvisational shows, the setup is minimal—the lights go down, a song plays, the actors take the stage (a few chairs make up the entirety of the set). Wearing what might be described as “business casual,” TJ Jagodowski and David Pasquesi take their time before getting started. Jagodowski puts his hands over his eyes and slowly looks over the crowd with a knowing smile, while Pasquesi crisscrosses the stage in long strides, sometimes seeming to be rearranging the chairs, sometimes just roaming. They then introduce each other, say the infamous words, “trust us this is all made up,” and without a suggestion the show begins. Read the rest of this entry »

Review: Porch Play/Theatre Momentum

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Andy Polacek, Jillian Markowitz and Sal Piccolo

Andy Polacek, Jillian Markowitz and Sal Piccolo

A visit to Theatre Momentum’s website describes their current production as “an improvised one-act play set in a single location.” As promised, the show consists of one continuous, real-time, forty-five-minute scene, with each player sticking to a sole character for the entire show. As an audience member, if you so choose, you are left to wonder just how much of the show is improvised: The entire evening? The basic plot? Certain plot twists? Just a bit of dialogue? I found myself not caring. As the company’s site also explains, “Theatre Momentum strives for work that is theatre that happens to be improvised.” As a viewer, I approached it as such. Unconcerned with the degree to which the show may or may not be improvised, I experienced the show as it was presented: unpretentious, conversational, casual, loose and, above all, humorous. The staging is simple, there are no props to speak of, and the performances could be taking place in your living room. It all results in a satisfying, enjoyable and rather brief evening of entertainment. Read the rest of this entry »

Review: Old Jews Telling Jokes/The Royal George Theatre

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(l to r)Alex Goodrich, Dara Cameron, Renee Matthews, Tim Kazurinsky/Photo by Dan Rest

(l to r) Alex Goodrich, Dara Cameron, Renee Matthews, Tim Kazurinsky/Photo: Dan Rest

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Talk about high-concept. If you can’t gather what this show is about based on the title… what kind of a dumb schmuck are you? Based on the popular website OldJewsTellingJokes.com (guess what’s on the website), the original production of “Old Jews Telling Jokes” just closed in the middle of last month after running for almost a year and a half Off-Broadway before opening in Chicago at the Royal George Theatre with plans to run through mid-February of next year. And this goyim loves it.

Though the concept and presentation are blatantly Jewish (even the program looks like a deli menu while the logo is a monstrous pastrami sandwich with a gherkin perched on top of it) the main conceit here is just to throw out as many jokes as possible (along with a few song-and-dance numbers and some brief monologues) and keep the laughs coming. Stripped down, this show really isn’t much more than a long series of jokes: puns, one-liners, anecdotes and stories. Read the rest of this entry »

Review: What the Tour Guide Didn’t Tell You: A Chicago Revue/Second City

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Brianna Baker and Shad Kunkle/Photo by Samual Roberson

Brianna Baker and Shad Kunkle/Photo by Samual Roberson

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As a sketch toward the end of this gentle send-up of Chicago makes clear (with a self-referential punchline), Second City has been making audiences laugh (and casting directors take note) since 1959. And “What the Tour Guide Didn’t Tell You” is not so much a standalone revue as it is a “best-of” collection of sketches about Chicago from the last five decades or so of revues—which means they have a lot of material to choose from.

References are made to both the current and previous mayors (the former gets some quick sketches while the latter gets an entire song), potholes on Lake Shore Drive, Wrigleyville, da Bears and da Bean, among other Chicago notables. Still, the focus is always more on comedy than Chicago and even non-Chicagoans should have no trouble following along with the cracks and one-liners. They might even learn a thing or two about Chicago that the tour guide may, in fact, have neglected to mention; the out-of-towners I went with asked me afterward, “So, Lincoln Park is a snooty neighborhood?” Point made, Second City. Read the rest of this entry »

Review: A Clown Car Named Desire/Second City e.t.c.

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Photo: Todd Rosenberg

Photo: Todd Rosenberg

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There is a sketch early on in the second act of “A Clown Car Named Desire” that starts out seeming like your standard hipster-mocking (and let’s be honest, who doesn’t enjoy a good hipster-mocking?), but then it ever-so-slowly and subtly morphs into what has to be one of the funniest sketches the e.t.c. stage has hosted in its illustrious history (“Clown Car” marks the stage’s thirty-seventh revue).

It takes place in an American Apparel, where two employees (Mike Kosinski and Brooke Breit) indifferently greet a customer (Chris Witaske) only to discover that he also works at American Apparel. The trio then begin an epic marathon of idle one-upmanship and “top that,” while languidly pacing the stage, attempting to look unimpressed with each other and using as little energy as possible to speak (Breit declares her hate for a four-legged adversary in one breath: “ifuckenhatethatgoat”). At one point Witaske, sporting a fanny pack and colorful tights, declares “I’m exactly where I want to be for a thirty-five-year old man.” And we believe it. Both for Witaske and for his character. Read the rest of this entry »

Review: The Second City Guide to the Opera/Second City and Lyric Opera

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Photo: Todd Rosenberg

Photo: Todd Rosenberg

The pre-show music for Lyric Opera shows don’t typically include selections from Deltron 3030. And you can’t usually order mixed drinks with clever names like The Boozy Baritone or The Icy Maestro from the comfort of your seat (on the stage). And, most notably, it’s certainly not common practice for an usher to say, “Welcome to Second City” as you walk down the aisles of the expansive Civic Opera House to find your seat.

That’s because this isn’t a Lyric Opera show. Not exactly. It’s “The Second City Guide to the Opera,” a month-long run of an opera-themed Second City revue based on the sold-out one-night show of the same name that played the Civic Opera House in January, announcing the unlikely pairing of two very different Chicago stalwarts: the Lyric Opera of Chicago and Second City. And though this reincarnation doesn’t feature special celebrity guest artists Patrick Stewart and Renée Fleming, it’s still a unique experience. Read the rest of this entry »

Review: Let Them Eat Chaos/The Second City

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Photo: Clayton Hauck

Photo: Clayton Hauck

Second City’s Dalmatian-free one hundred first revue, “Let Them Eat Chaos,” hits the hyperactivity of its titular chaos squarely on the head, but, for all its unneeded projections, “Band of Brothers”-style trench scenes and deviations into the creation of the Panama Canal, the show misses the underlying joy of frenzy. Easily among the most distinctive and likable casts of the past several Mainstage revues, their efforts are appealing but ultimately only somewhat funny. Read the rest of this entry »