Theater, Dance, Comedy and Performance in Chicago

Preview: Stories in Motion/Joffrey Ballet

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image001 (1)RECOMMENDED

To whet audience appetites for the fall season, the Joffrey presents a special one-weekend amuse of short narrative ballets. Two pieces are from the Joffrey rep: Antony Tudor’s 1936 “Lilac Garden,” a moonlit tale of quiet longing set in the Edwardian era, and George Balanchine’s take on the parable of the Prodigal Son, set to the music of Prokofiev. The company will also premiere “RAkU,” by San Francisco Ballet’s resident choreographer Yuri Possokhov, and inspired by the true story of a Buddhist monk who burned down the Kyoto Temple of the Golden Pavilion. Read the rest of this entry »

Preview: Ballet X/Dance Center of Columbia College

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photo courtesy Alexander Iziliaev

Photo: Alexander Iziliaev

RECOMMENDED

Chicago meets another world-class contemporary company this fall in a mixed-rep program from Philly’s delightful, knockout Ballet X. Like other great companies making fresh, resonant new work anchored in ballet technique and contemporary aesthetics, Ballet X has an alchemic combination of virtuosic dancers and artistic direction with a bell-clear, unique voice. The company was founded by co-directors Christine Cox and Matthew Neenan, who bring four works—unseen in Chicago—to the Dance Center of Columbia College. Read the rest of this entry »

Preview: Fall Concert Series/Cerqua Rivera Dance Theatre

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Rach jump1 2RECOMMENDED

Cerqua Rivera brings together their full ensemble of collaborating musicians and dancers to the Ruth Page Center for their fall concert. Composer Joe Cerqua and choreographer Wilfredo Rivera founded the company fifteen years ago to fuse music, visual art and dance in an expression of the rich diversity and complexity of contemporary life; their semi-annual concerts—the only times the full complement of artists are together on stage—are the best way to see their vision in action. The fall program contains four new works, including a tribute from Rivera to his musical parents, set to the Honduran music of his childhood. Read the rest of this entry »

Preview: Khecari + Happydog/Links Hall

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Esther-4

RECOMMENDED

Happydog performance company was formed when three artists—Chicago-based designer Annie Novotny, Portland-based choreographer Muffie Connelly and New York dancer Leslie Cuyjet—embarked on a tri-coastal creative project. They founded Happydog Gallery in Wicker Park as incubator space and began a process of creative exchange from afar, crafting performance works that evolve over months of collaboration, unbounded by genre or medium. Their newest work, “LADY PARTS,” is part two in a trilogy about human reproduction from a feminine perspective. Read the rest of this entry »

Preview: Chicago Dancing Festival

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Ben Wardell and Michel Rodriguez

Ben Wardell and Michel Rodriguez

RECOMMENDED

The best time to be in the city is, unquestionably, the summer. These are the months that remind us why we endure such brutal winters (aside from sheer Midwest obstinacy): Chicagoans emerge to reacquaint themselves with the lakefront and parks, drinking in free arts and culture presented outdoors every night of the week. And the end of August means free dance performances—lots of them—thanks to the Chicago Dancing Festival. The festival was founded by native-Chicagoan-turned-New-York-choreographer Lar Lubovitch and dancer Jay Franke, to introduce more people to the pleasures of watching dance. The project has been a success; audiences have turned out in droves the last seven years to see companies from here and around the country. This year’s festival includes three nights of performances: Wednesday at the Harris Theater—which will be simulcast to the big LED screen in the Pritzker Pavilion—a program of duets Friday at the MCA, and the grand finale at the Pritzker Saturday night. Read the rest of this entry »

Heart of the Movement: Dance for Life Dances For A Cause

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In the early nineties, a dancer with the Joseph Holmes Dance Theatre named Keith Elliott was, like many artists of the time, losing friends and colleagues to complications caused by HIV/AIDS. “If you knew Keith, he was the kind of person who couldn’t just not do anything about it,” said Anthony Guerrero, the current producer of Dance For Life. “He was a dancer—he didn’t have money—but he could put on a show.” Elliott invited Chicago’s dance community to participate in a fundraiser performance to fight HIV/AIDS and support artists in need. Four companies immediately got involved: the Joffrey Ballet, Hubbard Street, Giordano Dance and River North Dance, who have remained the partnering companies to this day. The first performance was held in 1992 to a sold-out house. Since then, Dance For Life has raised millions of dollars for HIV/AIDS prevention, care and education. Proceeds also go to The Dancers’ Fund, an emergency fund extended artists, administrators, rehearsal pianists, anyone in the dance profession struggling with life-threatening or debilitating illness. The Dancers’ Fund goes beyond medical treatment, covering rent, utilities, food. Last year’s Dance For Life raised more than $200,000 alone. Read the rest of this entry »

Preview: Season Four/PRODUCE

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Photo:  Julie Ballard

Photo: Julie Ballard

RECOMMENDED

The fourth and final season of critically acclaimed dance-and-music-improv mashup PRODUCE is a must-see. Hosts Lauren Warnecke, dancer, writer and educator behind Art Intercepts, and Anthony Ingram, member of Signal Ensemble Theatre, lead a cast of dancers, visual artists and musicians through an improvisational odyssey, informed by the creative energy of the moment and audience feedback. The idea behind the series is to not only push the boundaries of the participating artists by radically mixing ingredients and seeing what flavors result, but also to demystify the creative process for the audience, pulling off any veil of intimidation surrounding artists to reveal the playfulness and fun of creative production. Read the rest of this entry »

Preview: The Long and Forgotten Winter/RE|Dance

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Photo: Shelby Kroeger

Photo: Shelby Kroeger

RECOMMENDED

The long-distance choreographic team of Lucy Vurusic-Riner and Wisconsin-based Michael Estanich have produced, over the last five years, a body of work that is notably calm and introspective. Perhaps the emotional depth and delicate reflection of pieces like The Attic Room, Inhabitants of Tall Grass and last year’s Homeland can be attributed to their process of generating movement material together, then writing and processing at length separately. Read the rest of this entry »

Preview: JUBA! Masters of Tap and Percussive Dance/Chicago Human Rhythm Project

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Photo: Paolo Bernadotti

Photo: Paolo Bernadotti

RECOMMENDED

The only downside to Chicago Human Rhythm Project’s wrap-up performances of their annual Rhythm World festival is trying to decide which show to attend. The series of showcases at the MCA theater are as much party as performance; the audience is always packed with tap dance and percussion enthusiasts—students and teachers of all ages from around the world who come to Chicago to spend the summer teaching, learning and jamming. JUBA! is the closing party—three nights of virtuosic music and rhythmic dance by the best hoofers alive—and the atmosphere is always electric. Read the rest of this entry »

A Peek at the Process: In the Studio with Thodos’ Budding Choreographers

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Photo: Cheryl Mann

Photo: Cheryl Mann

By Sharon Hoyer

For dancers, summer is a season of creative experimentation and growth, with ample opportunities to participate in residencies and intensive classes both in the city and without. Summer is also the time when a few dance companies become incubators for new choreographic talent within their ranks. Thodos Dance Chicago was among the first in the city to offer budding choreographers in the company the opportunity to practice the craft backed by extensive resources, and to have the resulting works performed on a main stage. Melissa Thodos provides her company members audition and rehearsal space, a budget, a lighting designer and a panel of experts to provide feedback both early in the process and close to the performance. They get a taste of artistic production in the big leagues: auditioning, creating work, running rehearsals, gathering collegial feedback. I sat in on the second panel showing at the Drucker Center and got a glimpse of how seasoned dance professionals nurture and challenge the next generation of artists. Read the rest of this entry »