Theater, Dance, Comedy and Performance in Chicago

Preview: Chicago Inspired/Thodos Dance Chicago

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Photo: Cheryl Mann

Photo: Cheryl Mann

RECOMMENDED

Thodos Dance’s winter concert at the Harris gathers short rep pieces from a half dozen Chicago-based choreographers, including a new work by founder Melissa Thodos. The program includes Brian Enos’ “Lullaby,” “A Salute to Old Friends” by the iconic and groundbreaking Chicago legend Sybil Shearer, plus new works by company members John Cartwright and Tenley Dorrill. There’s also a new full company piece commissioned from Garfield Lemonius. Top billing goes to a trilogy of rarely performed short, sassy pieces by Bob Fosse, originally created for television variety shows in the 1960s. Read the rest of this entry »

Preview: It’s About Love Again This Year/RE|Dance Group

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REDance Group Its About Love image

RECOMMENDED

Michael Estanich’s newest creation for RE|Dance glides on gentle waves of sweet nostalgia and romance, ruffled at points by eddies of humor and the chop of desire. Dancers clad in ankle length dresses or button-down shirts and trousers with suspenders travel through scenes of youthful love, or perhaps more accurately, sepia-toned reflections on youthful love to Bach, birdsong and The Magnetic Fields. In the background, a great monument of peeling wallpaper stands as a symbol of memory and quiet reminder of time as the backdrop to fleeting human emotion. Read the rest of this entry »

Preview: Alonzo King LINES Ballet/Harris Theater

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LINES-Meyer

RECOMMENDED

The power, reedy elegance and remarkable precision of LINES Ballet returns to the Harris in two weeknight programs. On Wednesday, the San Francisco-based company participates in the Harris’ wallet-friendly happy-hour series Eat + Drink to the Beat, performing King’s nod to ballet history and the emergence of neoclassicism, “Concerto for Two Violins,” along with his newest work “Shostakovich.” Thursday evening is a full program that includes the gorgeous, technically intricate and emotionally transcendent “Writing Ground,” set to music from various religious traditions and inspired by the poetry of Colum McCann. Read the rest of this entry »

Preview: Stardust/David Roussève/REALITY

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Photo: Yi Chun

Photo: Yi Chun

RECOMMENDED

In David Roussève’s tender new work, the fragmented, abbreviated language of texting becomes the building material of a story that is at once funny, sad and deeply humane. The hopes and frustrations of a young, unseen protagonist are splashed large on the back wall—emphasized with plentiful punctuation and emoticons—like a digital diary kept in Twitter. In the foreground, the ten members of REALITY give physical expression to his emotional life, dancing out the frustrations, drives, joys and fears of a black gay teenager navigating an inner-city world that is at once hostile and beautiful. Read the rest of this entry »

Preview: Giordano Dance Chicago/Auditorium Theatre

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Photo courtesy Gorman Cook

Photo courtesy Gorman Cook

RECOMMENDED

The Auditorium Theatre’s “Made in Chicago” series—part of the programing for the 125th anniversary season—has opened the historic, gold-rimmed stage to a couple hometown companies for the first time; to Thodos Dance last fall and, this month, to Giordano Dance Chicago, a company that has been performing high-octane jazz dance for almost half as long as the Adler and Sullivan treasure has been standing. The one-night program includes several pieces from Giordano’s fall program—resident choreographer Autumn Eckman’s sexy, finely honed duet “Alloy,” Roni Koresh’s hard driving, militant “Exit4,” and Ray Leeper’s big Broadway-esque show stopper “Feelin’ Good Sweet”—along with a premiere of a new work by Ray Mercer, former dancer with Deeply Rooted and winner of the Joffrey’s Choreographers of Color Award. Mercer’s full company work, entitled “Shirt Off My Back,” explores how we sometimes give too much in our relationships, be they intimate, platonic or filial. Read the rest of this entry »

Preview: Song of Eva Peron/Tango Buenos Aires

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Tango Image 4RECOMMENDED

As a dance form based on the most subtle, understated, imperceptibly small communication between lead and follow, Argentine tango doesn’t necessarily lend itself to performance on big stages. Traditionally, couples dance in a close embrace, communicating through small movements of the torso; most of the action is in the legs, in long strides or quick, precise flashes of feet that flirt, tap, circle and caress each other. The infinite complexity and nuance that make tango so rewarding to dance are difficult to translate and amplify for the stage, even when spiced up with slick turns, lifts and high kicks.

Tango Buenos Aires does justice to Argentina’s national dance, keeping true to the intimacy and lightning-quick, complex footwork that characterize tango, while amping up dances with flashier movements that play to the back row. Read the rest of this entry »

Preview: Nexus Project with Ben and Michel/Dovetail Studios

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NexusRECOMMENDED

When asked how Nexus Project performances are structured, Ben Wardell pulls a stack of little, hand-torn slips of paper from his pocket. On the floor of the rehearsal studio, he begins laying them out in a flow chart. Which short segments flow into what hinge on the audience: if they’re a little peppier and willing to participate, there might be a short salsa lesson; if they’re more passive and sedate, Ben and Michel will go into their Butoh section. Dozens of possible combinations spread across the floor in a choose-your-own-adventure of dance and storytelling. Past Nexus audiences have become hooked and returned a second or third time to catch gems they might have missed in a prior show. Read the rest of this entry »

Preview: Restless Creature/Wendy Whelan

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Photo courtesy Christopher Duggan

Photo: Christopher Duggan

RECOMMENDED

Two years ago, in an extended interview with Alejandro Cerrudo about the premiere of his first evening-length work, the conversation momentarily turned to a side project he had been invited to choreograph for. The Chicago performance wasn’t yet announced so Cerrudo asked me to keep it quiet, but the resident choreographer for Hubbard Street couldn’t help but gush a little with excitement; he was clearly starstruck. “She’s so incredibly nice and down to earth,” he said. “And, I mean, she’s Wendy Whelan.” Read the rest of this entry »

Preview: Dances for the Underground/The Seldoms, Peter Carpenter, Kate Corby & Dancers

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1210BK_Maria_Pinto_119204_FWEB

RECOMMENDED

The Seldoms share the bill for two weekends at Links Hall, presenting the first chapter of a new work by the company’s intellectually driven artistic director Carrie Hanson. “RockCitizen” is inspired by the rock-music-driven counterculture movements of the mid-to-late-twentieth century. Hanson seeks to unpack counterculture from social, political and economic perspectives, asking questions about how the phenomenon emerges, the groups it unites, the way it simultaneously questions dominant culture and encourages consumerism, and how it diffuses or fails. Hanson is a great pairing with Peter Carpenter, who last weekend presented the twelfth  iteration of his multi-year, ongoing “Rituals of Abundance for Lean Times,” entitled “Dominant Collapse.” Carpenter is an independent dance-theater maker inspired by many of the same forces that move The Seldoms. Read the rest of this entry »

Preview: Nutcracker/Joffrey Ballet

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image002RECOMMENDED

The Joffrey presents five programs throughout their season, showing works by about a dozen leading choreographers of past and present, but there’s one show that keeps the lights on: twenty-four performances of “The Nutcracker” account for the bulk of Joffrey ticket sales, pulling non-regular dance attendees (and their visitors) into the Auditorium Theatre for a holiday tradition and, in many ways, helping to fund the rest of programming. Robert Joffrey’s vision of the Christmastime confection is a shimmering spectacle, heightened by the additions of the two-story Mother Ginger puppet by Kermit Love and an ensemble of more than one-hundred young dancers. Read the rest of this entry »

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