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Theater, Dance, Comedy and Performance in Chicago

Bailiwick announces “debut” spring 2010 season

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Here’s the press release from Bailiwick:

Bailiwick Chicago Announces Details of 2010 Spring / Summer Season

Chicago, Illinois – March 10, 2010 – Bailiwick Chicago’s Executive Director Kevin Mayes announced the final details for the theater company’s 2010 Spring / Summer Season., which includes a concert reading of a new musical entitled BLOOM to be performed at the Chicago Center for the Performing Arts on April 16th and 17th; FUCKING MEN*, the Chicago premiere of a new play written by Joe DiPietro which will begin previews on June 18th at Theatre Building Chicago; and Elton John and Tim Rice’s AIDA, which will begin previews on July 1st at American Theatre Company. Read the rest of this entry »

Steppenwolf announces 2010-2011 Season

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Here’s the press release from Steppenwolf:

Steppenwolf Theatre Company Announces
2010-2011 Subscription Season

CHICAGO (March 10, 2010) – Steppenwolf Theatre Company is pleased to announce its 2010-2011 Subscription Season, exploring the theme of public/private self.  Season subscriptions go on-sale to the public on Wednesday, March 10 at 11 a.m.

Detroit
a new play by Lisa D’Amour
featuring ensemble members Kate Arrington and Robert Breuler

Edward Albee’s
Who’s Afraid of Virginia Woolf?
directed by Pam MacKinnon
featuring ensemble members Tracy Letts and Amy Morton

Sex with Strangers
by Laura Eason, directed by associate artist Jessica Thebus
featuring ensemble member Sally Murphy with Stephen Louis Grush

The Hot L Baltimore
by Lanford Wilson, directed by ensemble member Tina Landau
featuring ensemble members Alana ArenasK. Todd Freeman and Yasen Peyankov

Middletown
a new play by Will Eno, directed by Les Waters
featuring ensemble member Alana Arenas Read the rest of this entry »

Goodman’s 2010-2011 Season Announcement

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Here’s the press release from the Goodman:

MARY ZIMMERMAN REIMAGINES BERNSTEIN’S CANDIDE IN A MAJOR FALL MUSICAL EVENT;
ROBERT FALLS RE-EXAMINES CHEKHOV’S THE SEAGULL; PLUS NEW WORKS BY SARAH RUHL,
REGINA TAYLOR AND THOMAS BRADSHAW HEADLINE GOODMAN THEATRE’S 2010/2011 SEASON

***THE GOODMAN CELEBRATES A DECADE OF ACHIEVEMENTS AS ANCHOR OF THE NORTH LOOP

THEATRE DISTRICT, STARTING WITH A SEPT. 27 EVENT AT THE ART INSTITUTE’S MODERN WING*** Read the rest of this entry »

Lyric Opera announces 2010-2011 season

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Here’s the press release from the Lyric:

Lyric Opera of Chicago’s 56th season
begins Friday, October 1, 2010, at 7:00 p.m.
Giuseppe Verdi’s MACBETH in a new production
by renowned Shakespearean Barbara Gaines
starring Thomas Hampson and Nadja Michael

Also next season: CarmenA Midsummer Night’s DreamA Masked Ball,
The MikadoThe Girl of the Golden WestLohengrin, & Hercules Read the rest of this entry »

American Blues Theater announces 2009-2010 season

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Here’s the press release from American Blues:

A REBORN AMERICAN BLUES THEATER ANNOUNCES ITS

2009 2010 SEASON AND A RETURN TO ITS ARTISTIC ROOTS

Nov. 16 “Rebirth of Blues” Benefit with Special Guest Olympia Dukakis

Kicks off ABT’s 24th Season

“It’s a Wonderful Life:  Live at the Biograph!” Opens Dec. 3

CHICAGO – American Blues Theater (ABT) Chicago’s second oldest Equity ensemble company, today announced its 2009-2010 Season.  The award-winning ensemble-based company will open its 24th season under its original name with a symbolic return to its first artistic home, Victory Gardens Theater, for “It’s a Wonderful Life: Live at the Biograph!” Marty Higginbotham returns to direct a new adaptation of the classic story based on the Frank Capra masterpiece and performed as a period radio piece. It runs Nov. 27 – Dec. 27 in the new Studio at Victory Gardens Theater at the Biograph, 2433 N. Lincoln Avenue, Chicago.  Press opening is Thursday, Dec. 3.  Tickets are $20 – $30 for previews (through Nov. 29); $50 for Dec. 3 press opening; and $30 – $40 for the regular run.  Tickets go on sale Tuesday, Nov. 3 at 12 noon at the Victory Gardens box office, 773-871-3000.

“ABT’s 2009 – 2010 season is an expression of our belief that this is the moment in time to reflect, reinvent and reconnect with our communities,” says Carmen Roman, long-time ABT ensemble member and an executive artistic administrator.  “There are many parallels to the challenges Americans are experiencing now and the experiences of the 1930s and 1940s, so ABT has created a season that examines our world in the context of World War II and the Great Depression.”

Other shows in the season include Jack Kirkland’s 1933 classic “Tobacco Road”(May – June 2010) and “RIPPED: The Living Newspaper Project” (Fall 2010), a new project by ABT founding ensemble member Rick Cleveland, fellow ensemble members Tania Richard and Gwendolyn Whiteside and a wealth other writers, musicians, dancers, singers, actors and directors from Chicago and across the country.  Show dates, venue and ticket prices will be announced at a later date.

Chicagoans will have the opportunity to preview a few “RIPPED” selections when Academy Award-winner Olympia Dukakis reads a passage written by Eduardo Machado at ABT’s The Rebirth of Blues Benefit at Bridgeview Bank, 4753 N. Broadway, Chicago, Monday, Nov. 16 from 6:30 p.m. – 8:30 p.m.  The evening’s program will also include Dennis Zacek reading a passage written by Rick Cleveland, and other special guests. Tickets are $75 ($125 VIP tickets include a 5:30 p.m. private reception with Dukakis).  For more information visit americanbluestheater.com.

Heather Meyers, Roman and long-time ensemble member Gwendolyn Whiteside serve as the executive artistic administrator triumvirate created for this re-energized organization. “With this renaissance, American Blues Theater reconnects to its artistic roots, both symbolically and literally,” says Whiteside.  “We pride ourselves in having a multi-generational ensemble where original members work alongside the next generation of ensemble members.  This adds a rich dimension to our work and enhances our ability to form relationships with our audiences from the moment they step into the theater.”

Founded in 1985, American Blues Theater is known for its gritty, uncompromising style. The company has produced more than 70 shows, many award-winners, including 40 regional/Chicago and world premieres.  Ensemble member plaudits include more than 60 collective Joseph Jefferson nominations, 10 Jeff awards, two Writers Guild awards, four After Dark awards and one Emmy.  Ensemble members have been seen in 80 films, 120 television appearances and nine Broadway shows as well as at theaters throughout America.

In 1993, ABT leased a space at the corner of Byron and Lincoln and in 1997 changed its name to American Theater Company (ATC).  In parting with ATC and reclaiming its original name, the American Blues Theater reaffirms its commitment to producing American classics and creating new ones that serve as a mirror for audiences to better understand themselves and their world.  ABT is theater that reaches out: talking to audiences, inviting feedback in person and via all forms of electronic communications, and doing outreach in local communities.

“I had a wonderful time helping the fledgling ABT years ago,” says Dennis Zacek, artistic director of Victory Gardens Theater, “and I’m thrilled to be working with them again because I believe the work of the ABT ensemble is vital and important to Chicago’s theater community and our city as a whole.”

The current ABT ensemble includes Dawn Bach, Ed Blatchford, Matthew Brumlow, Kate Buddeke, Casey Campbell, Rick Cleveland,Dennis Cockrum, Lauri Dahl, Tom Geraty, Cheryl Graeff, Lindsay Jones, Kevin R. Kelly, Ed Kross, James Leaming, Heather Meyers, John Möhrlein, Jim Ortlieb, William Payne, Suzanne Petri, Tania Richard, Carmen Roman, Editha Rosario, John Sterchi, Stef Tovar and Gwendolyn Whiteside.

The American Blues Theater is supported by a passionate board that includes James Leaming, John Fenton, Michael Colky, Ken Shanoff, Wendy Whiteside and five original American Blues board members:  Joan Esposito, Lawrence Schulmann, Jan Sugar, Mary Suma and Scott Suma.  Says returning founding board member Mary Suma, “I’m elated to be back supporting ABT’s special brand of gutsy theater.  This talented ensemble has always been willing to tell the untold stories, give voice to the little guy and girl and take great artistic risks.  Bravo!”

American Blues Theater is a 501 (c)(3) not-for-profit arts organization.  For more information call 773-628-3526, or emailinfo@americanbluestheater.com or visit americanbluestheater.com.


AMERICAN BLUES THEATER’S 2009-2010 SEASON

“It’s a Wonderful Life: Live at The Biograph!”

Nov. 27 – Dec. 27, 2009 (Press opening Thursday, Dec. 3)

The Victory Gardens Studio at The Biograph 2433 N. Lincoln Avenue in Chicago.

The classic story, based on the 1946 Frank Capra masterpiece is performed as a period radio play complete with commercial breaks.  The same creative team who brought this classic piece to Chicago audiences for six years once again brings the town of Bedford Falls to life, this time with a new adaptation at the new Victory Gardens Studio.  Marty Higginbotham directs.  Tickets are $20-$30 for previews (through Nov. 29); $50 for the Dec. 3 press opening and $30 –$40 for the regular run through Dec. 27.  Tickets go on sale Nov. 3 at 12 noon at the Victory Gardens box office, 773-871-3000.

“Tobacco Road” by Jack Kirkland

May – June 2010

Director, dates, location and ticket prices to be announced.

“Those who ignore history are doomed to repeat it.” Written during the Great Depression, “Tobacco Road” is the second-longest-running non-musical play ever performed on Broadway.  It is a sharp, unrelenting, sometimes wickedly funny depiction of a world transitioning from an agricultural society to the Industrial Age.  Its main character, Jeeter, embodies the inability of some to make the transition, holding onto outdated modes of operating even when it heralds his own demise.  This play celebrates the acting and design skills of the ABT ensemble in the same style Chicago audiences have come to expect from this venerable company.

“RIPPED: The Living Newspaper Project”

Fall 2010

Director, dates, location and ticket prices to be announced.

“RIPPED: The Living Newspaper Project” is based on the 1930s WPA-era program that brought writers like Orson Wells, Arthur Miller and Clifford Odets into public attention.  Examining America’s past and navigating present times, the artists will incorporate scripts from the original 1930s Living Newspaper and juxtapose them with new material “ripped” from today’s headlines.  Like the original productions, the artists will incorporate vaudeville, traditional scenes, music, dance and visual arts with more contemporary components such as electronic media.  Award-winning ABT Ensemble members Rick Cleveland (an ABT founder), Tania Richard and Gwendolyn Whiteside will contribute, as will such Chicago forces as SL Daniels, Jeff Sweet, Keith Huff, Nambi E. Kelly, Brett Neveu and many other writers, musicians, dancers, singers, actors and directors from across the country.  This work will be developed through a series of readings.

For more information about ABT’s 2009-2010 season, visit americanbluestheater.com

Light Opera Works announces its 2010 season

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Here’s the press release from Light Opera Works:

Light Opera Works Announces its 2010 Season

Evanston, IL: Light Opera Works’ 2010 season will begin with Gilbert and Sullivan’s THE YEOMEN OF THE GUARD (June 4 -13) on Light Opera Works’ Main Stage, followed by Rodgers and Hammerstein’s CAROUSEL (August 14 – 29). The company will present Tom Jones and Harvey Schmidt’s, I DO! I DO! (October 8 – November 14) on the Second Stage in the fall and end the season with Jerry Herman’s HELLO, DOLLY! (December 26 – January 2). The Light Opera Works Box Office is located at 927 Noyes St. in Evanston. To purchase tickets call (847) 869-6300 or order online at LightOperaWorks.org Read the rest of this entry »

Mary-Arrchie announces 2009-2010 Season

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Here’s the press release from Mary-Arrchie:

Mary-Arrchie’s 2009-2010 Season

Dear Friend,

We are pleased to announce our 24th Season of edgy, exciting, and risk-taking theatre. Our 2009-2010 season is teeming with new works, we are proud to bring you THREE Midwest Premieres, each uniquely compelling pieces of theater that reflect the decisions we face and the pursuit of what it means to live fully in the 21st Century! So without further ado, meet the plays! Read the rest of this entry »

Noble Fools 2010 season announcement

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Here’s the press release from Noble Fool:

Noble Fool Theatricals announces 2010 season in residence at Pheasant Run

Ruler-cracking comedy OVER THE TAVERN, Tony Award-winning musical SPELLING BEE, the mysterious comedy RED HERRING and holiday radio play IT’S A WONDERFUL LIFE fulfill their subscription series Read the rest of this entry »

the side project announces 2009-2010 season

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Here’s the press release from the side project:

Three new works – and a new mission – premiere at the side project in 2009-10

The side project, founded in 2001 in Chicago’s Rogers Park neighborhood by
Artistic Director Adam Webster, will present three world-premiere plays in
its 2009-2010 season – its first under a new mission which will take the
company into its second decade. All three productions – beginning with the
November world premiere of Laura Eason’s REWIND – bring into sharp focus
the company’s refined mission statement and vision. Read the rest of this entry »

Circle Theatre announces 2009-2010 season

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Here’s the press release from Circle Theatre:

CIRCLE THEATRE’S SILVER 25TH ANNIVERSARY SEASON

Circle Theatre is proud to enter its twenty-fifth year of providing world class theatrical productions to audiences from Chicago and the suburbs. The company, considering relocation options for the future, will remain at its current location, 7300 W. Madison St., through the end of 2010.

Mission Statement Circle Theatre is an artist-based company whose mission is to produce exciting and innovative theatre accessible to a diverse suburban and city audience. Through variety-filled seasons, which include drama, comedy, musicals, and new works, Circle Theatre challenges, entertains, and educates audiences and artists of all ages. Read the rest of this entry »