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	<title>Newcity Stage &#187; Opera</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Review: Teseo/Chicago Opera Theater</title>
		<link>http://newcitystage.com/2012/04/24/review-teseo-chicago-opera-theater/</link>
		<comments>http://newcitystage.com/2012/04/24/review-teseo-chicago-opera-theater/#comments</comments>
		<pubDate>Tue, 24 Apr 2012 13:57:15 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Baroque Band]]></category>
		<category><![CDATA[Brian Dickie]]></category>
		<category><![CDATA[Cecilia Hall]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[David Trudgen]]></category>
		<category><![CDATA[Deanna Breiwick.]]></category>
		<category><![CDATA[Francesco Cavalli]]></category>
		<category><![CDATA[François-Pierre Couture]]></category>
		<category><![CDATA[George Frideric Handel]]></category>
		<category><![CDATA[Gerald Thompson]]></category>
		<category><![CDATA[James Darrah]]></category>
		<category><![CDATA[Julian Pike]]></category>
		<category><![CDATA[Manuela Bisceglie]]></category>
		<category><![CDATA[Marc-Antoine Charpentier]]></category>
		<category><![CDATA[Michael Beattie]]></category>
		<category><![CDATA[Renée Tatum]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18311</guid>
		<description><![CDATA[RECOMMENDED The third time is the charm, as it turns out. Handel’s “Teseo” (“Theseus”), crowning Chicago Opera Theater’s spring season and the penultimate opera of Brian Dickie’s general directorship, is also the last of COT’s Baroque opera “Medea” trilogy that began with 2010’s production of Cavalli’s “Giasone” (“Jason”) and continued with last year’s production of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Moscow, Cheryomushki/Chicago Opera Theater</title>
		<link>http://newcitystage.com/2012/04/16/review-moscow-cheryomushkichicago-opera-theater/</link>
		<comments>http://newcitystage.com/2012/04/16/review-moscow-cheryomushkichicago-opera-theater/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 18:28:03 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Brezhnev]]></category>
		<category><![CDATA[Brian Dickie]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Dmitri Shostakovich]]></category>
		<category><![CDATA[Eric Sean Fogel]]></category>
		<category><![CDATA[Grigory Stolyarov]]></category>
		<category><![CDATA[Khrushchev]]></category>
		<category><![CDATA[Moscow Operetta]]></category>
		<category><![CDATA[Stalin]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18030</guid>
		<description><![CDATA[RECOMMENDED Brian Dickie has certainly given Chicago many firsts and many thrills in his twelve years as general director of Chicago Opera Theater, but Dickie has saved one of his best for last: the professional Chicago premiere of a satirical musical by, of all people, Dmitri Shostakovich. With Stalin having declared modernism and the avant-garde [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/04/16/review-moscow-cheryomushkichicago-opera-theater/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chicago Opera Theater announces 2013 season</title>
		<link>http://newcitystage.com/2012/04/04/chicago-opera-theater-announces-2013-season/</link>
		<comments>http://newcitystage.com/2012/04/04/chicago-opera-theater-announces-2013-season/#comments</comments>
		<pubDate>Wed, 04 Apr 2012 19:45:55 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Andreas Mitisek]]></category>
		<category><![CDATA[Ástor Piazzolla]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[Ken Cazan]]></category>
		<category><![CDATA[Philip Glass]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18361</guid>
		<description><![CDATA[Chicago Opera Theater’s New General Director Andreas Mitisek Announces 2013 Season 3 New Productions by Philip Glass, Ástor Piazzolla and Giuseppe Verdi CHICAGO, IL – (April 4, 2012) Andreas Mitisek announced today Chicago Opera Theater’s (COT) 2013 Season, his first as General Director. The season opens in February of 2013 with the Chicago Premiere of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Aida/Lyric Opera</title>
		<link>http://newcitystage.com/2012/03/13/review-aidalyric-opera/</link>
		<comments>http://newcitystage.com/2012/03/13/review-aidalyric-opera/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 16:00:53 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Anna Smirnova]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Hui He]]></category>
		<category><![CDATA[Kenneth von Heidecke]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Marcello Giordani]]></category>
		<category><![CDATA[Marco Berti]]></category>
		<category><![CDATA[Michael Black]]></category>
		<category><![CDATA[Quinn Kelsey]]></category>
		<category><![CDATA[Renato Palumbo]]></category>
		<category><![CDATA[Sondra Radvanovsky]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17520</guid>
		<description><![CDATA[RECOMMENDED On paper, at least, the first cast of Lyric Opera’s production of Verdi’s “Aida” that opened in January looked as if it would be the premier cast, and indeed, had a lot going for it with Verdi heroine extraordinaire Sondra Radvanovsky as Aida, Italian tenor Marcello Giordani as Radames and mezzo soprano Jill Grove [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Rinaldo/Lyric Opera</title>
		<link>http://newcitystage.com/2012/03/03/review-rinaldolyric-opera/</link>
		<comments>http://newcitystage.com/2012/03/03/review-rinaldolyric-opera/#comments</comments>
		<pubDate>Sat, 03 Mar 2012 21:43:53 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[David Daniels]]></category>
		<category><![CDATA[Elza van den Heever]]></category>
		<category><![CDATA[Francesco Negrin]]></category>
		<category><![CDATA[George Frideric Handel]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jory Vinkikour]]></category>
		<category><![CDATA[Julia Kleiter]]></category>
		<category><![CDATA[Louis Désiré]]></category>
		<category><![CDATA[Lyric Opera]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17320</guid>
		<description><![CDATA[RECOMMENDED Long before the renaissance of Handel’s operas being performed in their complete form, virtually everyone knew an aria or two from his opera “Rinaldo.” Such pieces, in fact, as they were heard in vocal recitals and on recording anthologies were the only glimpse many opera lovers had into this vast world at a time [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Life Upon the Wicked Stage: Director Francesca Zambello on why &#8220;Show Boat&#8221; remains relevant</title>
		<link>http://newcitystage.com/2012/02/15/life-upon-the-wicked-stage-director-francesca-zambello-on-why-show-boat-remains-relevant/</link>
		<comments>http://newcitystage.com/2012/02/15/life-upon-the-wicked-stage-director-francesca-zambello-on-why-show-boat-remains-relevant/#comments</comments>
		<pubDate>Wed, 15 Feb 2012 10:00:14 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Bill Mason]]></category>
		<category><![CDATA[Francesca Zambello]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[John DeMain]]></category>
		<category><![CDATA[Oscar Hammerstein II]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17133</guid>
		<description><![CDATA[By Dennis Polkow A year ago when Lyric Opera held a press conference announcing its 2011-12 season, including a new production of “Show Boat,” then-general manager Bill Mason was asked if the N-word would be used in the production. “I don’t think so,” said Mason. “That is one word that you will not hear on [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/02/15/life-upon-the-wicked-stage-director-francesca-zambello-on-why-show-boat-remains-relevant/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Show Boat/Lyric Opera</title>
		<link>http://newcitystage.com/2012/02/14/review-show-boatlyric-opera/</link>
		<comments>http://newcitystage.com/2012/02/14/review-show-boatlyric-opera/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 21:06:31 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Alyson Cambridge]]></category>
		<category><![CDATA[Angela Renée Simpson]]></category>
		<category><![CDATA[Ashley Brown]]></category>
		<category><![CDATA[Cindy Gold]]></category>
		<category><![CDATA[Edna Ferber]]></category>
		<category><![CDATA[Florenz Ziegfield]]></category>
		<category><![CDATA[Francesca Zambello]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[John DeMain]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Michael Black]]></category>
		<category><![CDATA[Morris Robinson]]></category>
		<category><![CDATA[Nathan Gunn]]></category>
		<category><![CDATA[Oscar Hammerstein II]]></category>
		<category><![CDATA[Paul Robeson]]></category>
		<category><![CDATA[Ross Lehman]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17169</guid>
		<description><![CDATA[RECOMMENDED In the world of musical theater, the genre is divided between B.S.B. (Before Show Boat) and A.S.B (After Show Boat), so revolutionary a work was “Show Boat” when it first premiered nearly eighty-five years ago. So revolutionary, in fact, that we have to almost remind ourselves that “Show Boat” began life as a 1926 [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/02/14/review-show-boatlyric-opera/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Lyric Opera announces 2012-2013 season</title>
		<link>http://newcitystage.com/2012/01/17/lyric-opera-announces-2012-2013-season/</link>
		<comments>http://newcitystage.com/2012/01/17/lyric-opera-announces-2012-2013-season/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 22:05:11 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[André Previn]]></category>
		<category><![CDATA[Engelbert Humperdinck]]></category>
		<category><![CDATA[Gaetano Donizetti]]></category>
		<category><![CDATA[Giacomo Puccini]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[Jules Massenet]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Renée Fleming]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Richard Wagner]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18329</guid>
		<description><![CDATA[Anthony Freud, general director of Lyric Opera of Chicago, announced today the repertoire, principal singers, conductors, directors, and designers for Lyric’s 2012-13 season. This was Freud’s first news conference since becoming Lyric’s general director on Oct. 1, 2011. Joining Freud for today’s announcement was Sir Andrew Davis, Lyric’s music director; and Lyric’s creative consultant, Renée [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/17/lyric-opera-announces-2012-2013-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Magic Flute/Lyric Opera</title>
		<link>http://newcitystage.com/2011/12/13/review-the-magic-flutelyric-opera-2/</link>
		<comments>http://newcitystage.com/2011/12/13/review-the-magic-flutelyric-opera-2/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 20:32:23 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Charles Castronovo]]></category>
		<category><![CDATA[Lorenzo Da Ponte]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Matthew Lata]]></category>
		<category><![CDATA[Nicole Cabell]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Stéphane Degout]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16351</guid>
		<description><![CDATA[RECOMMENDED The perfect Mozart opera? Most would pick “The Marriage of Figaro,” some “Don Giovanni,” perhaps a handful even “Così fan tutte,” all Mozart collaborations with brilliant librettist Lorenzo Da Ponte. And yet, for comedy, fantasy and intrigue, “The Magic Flute” has to top the list. A product of those much romanticized last months of [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/12/13/review-the-magic-flutelyric-opera-2/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Ariadne auf Naxos/Lyric Opera</title>
		<link>http://newcitystage.com/2011/11/29/review-ariadne-auf-naxoslyric-opera/</link>
		<comments>http://newcitystage.com/2011/11/29/review-ariadne-auf-naxoslyric-opera/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 19:46:23 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Alice Coote]]></category>
		<category><![CDATA[Amber Wagner]]></category>
		<category><![CDATA[Anna Christy]]></category>
		<category><![CDATA[Brandon Jovanovich]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Johan Botha]]></category>
		<category><![CDATA[John Cox]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Robert Perdziola]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16221</guid>
		<description><![CDATA[RECOMMENDED During the recently ended Bill Mason era at Lyric Opera, the philosophy was that works of Richard Wagner and Richard Strauss had to alternate for attention to contain costs of the huge orchestra needed for these works. This year, however, the Strauss opera presented, “Ariadne auf Naxos,” employs a chamber orchestra, yet nonetheless was [...]]]></description>
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		<slash:comments>0</slash:comments>
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