For “Les Liaisons Dangereuses” to work properly, you need to credibly believe two things: the danger, and the liaisons. AstonRep Theatre Company’s revival, directed by Charlie Marie McGrath, provides neither. There is no sense of danger, no illicit thrill to watching Valmont (Robert Tobin) and Merteuil (Sara Pavlak McGuire) work their devilish wiles. And there is no erotic charge to the couples’ scenes (nor to any of the scenes really). For a story that features seductions within seductions this production is as seductive as a morning fart.
McGrath has transplanted the setting of the play from pre-Revolutionary France to pre-Revolutionary Russia for reasons that never present themselves. But it does allow for a menagerie of different accents. The main players speak in flat American dialects—which belly flop onto the pristine surface of British adapter Christopher Hampton’s posh, elegant dialogue—while supporting characters for some reason sport French or Russian ones. Trying to figure out how these myriad nationalities add insight or meaning into the story is waste of time—believe me, I tried. I will say though that Tsarist Russia does seem like it was much easier to costume. Read the rest of this entry »