When Mary Wilson of the Supremes came through town late last fall, she recalled that the Supremes had no less than seven flops before catching on while another Detroit all-female group, the Marvelettes, had five consecutive hits, including Motown’s first-ever No. 1 hit.
This is history seemingly long-forgotten nearly fifty years later, that there was a time when Motown Records’ founder and president Berry Gordy was actually attempting to model the Supremes on the success of the Marvelettes. So much so, in fact, that he brought the Supremes to the same songwriting team that had written hits for the Marvelettes before the Supremes began charting.
While the Marvelettes have been largely relegated to an early footnote and a chorus of that first hit, “Please Mr. Postman” in Gordy’s own vacuous and self-serving “Motown the Musical,” leave it to Black Ensemble Theater to out-Motown Gordy himself by offering a three-dimensional portrait of Gordy and the inner workings of Motown in its world-premiere production “The Marvelous Marvelettes” by Reginald Williams and directed by Rueben D. Echoles. Read the rest of this entry »