In a “Poem About My Rights” June Jordan pens these words, “Wrong is not my name/ My name is my own my own my own/and I can’t tell you who the hell set things up like this/ but I can tell you that from now on my resistance / my simple and daily and nightly self-determination / may very well cost you your life.” Jordan’s words, though written long after Richard Wright’s novel “Native Son,” are the unofficial biography for his protagonist’s life. For so long Wright’s protagonist has been told that he is wrong, akin to an abominable black rat not worthy of life. Yet like in Jordan’s poem, when his spiritual awakening manifests, his fear dissipates and he realizes he has the power to name himself. It’s beautiful indeed, yet the road is long and rocky.
The play “Native Son,” adapted by Nambi E. Kelley, opens up with Bigger Thomas (Jerod Haynes) and the highly inebriated daughter of his new boss Mary (Nora Fiffer). Unable to stand, Bigger helps Mary to her room. While helping her, Mary begins to flirt with Bigger, who is initially reluctant to respond because she is white and he is black. Still, he eventually gives in to his desires, but their moment is interrupted by Mary’s blind mother Mrs. Dalton (Carmen Roman). Bigger’s attempt to quiet Mary by placing a pillow over her mouth ultimately leads to her death. Read the rest of this entry »