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	<title>Newcity Stage &#187; World Premiere</title>
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	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Review: Fish Men/Goodman Theatre and Teatro Vista</title>
		<link>http://newcitystage.com/2012/04/16/review-fish-mengoodman-theatre-and-teatro-vista/</link>
		<comments>http://newcitystage.com/2012/04/16/review-fish-mengoodman-theatre-and-teatro-vista/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 00:00:00 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Candido Tirado]]></category>
		<category><![CDATA[Collette Pollard]]></category>
		<category><![CDATA[Edward Torres]]></category>
		<category><![CDATA[Goodman Theatre]]></category>
		<category><![CDATA[Jesse Klug]]></category>
		<category><![CDATA[Teatro Vista]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18028</guid>
		<description><![CDATA[RECOMMENDED Playwright and chess master Cándido Tirado’s rumination on the brutality of human beings uses the chess board as a jumping-off point for covering a range of cruel behavior—from genocide to racism to unfair eviction—as three seasoned chess hustlers bicker and collude with each other while working to lure in challengers (referred to as fish) [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: The March/Steppenwolf</title>
		<link>http://newcitystage.com/2012/04/16/review-the-marchsteppenwolf/</link>
		<comments>http://newcitystage.com/2012/04/16/review-the-marchsteppenwolf/#comments</comments>
		<pubDate>Mon, 16 Apr 2012 20:59:19 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[E. L. Doctorow]]></category>
		<category><![CDATA[Frank Galati]]></category>
		<category><![CDATA[Ian Barford]]></category>
		<category><![CDATA[Shannon Matesky]]></category>
		<category><![CDATA[Stephen Louis Grush]]></category>
		<category><![CDATA[Steppenwolf]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18046</guid>
		<description><![CDATA[Mixing historical figures like General William Tecumseh Sherman along with fictional counterparts who expose a greater range of the impact of Sherman&#8217;s march across Georgia and the Carolinas that devastated the South and hastened the end of the Civil War, Frank Galati&#8217;s faithful adaptation of E. L. Doctorow&#8217;s acclaimed novel &#8220;The March&#8221; manages to assemble [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Cascabel/Lookingglass Theatre</title>
		<link>http://newcitystage.com/2012/04/02/review-cascabellookingglass-theatre/</link>
		<comments>http://newcitystage.com/2012/04/02/review-cascabellookingglass-theatre/#comments</comments>
		<pubDate>Mon, 02 Apr 2012 16:09:18 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Chiara Mangiameli]]></category>
		<category><![CDATA[Cirque du Soleil]]></category>
		<category><![CDATA[Frontera Grill]]></category>
		<category><![CDATA[Heidi Stillman]]></category>
		<category><![CDATA[Lookingglass]]></category>
		<category><![CDATA[Rick Bayless]]></category>
		<category><![CDATA[Silverguy Entertainment]]></category>
		<category><![CDATA[Tony Hernandez]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17682</guid>
		<description><![CDATA[RECOMMENDED By placing the audience around communal tables (loaded with purchasable wine and beer) in a setting that manages to feel like a restaurant with a theater in it rather than the other way around, this delectable mix of Cirque du Soleil and fine dining helps establish a relaxed sense of camaraderie between audience members [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: The Last Duck/Jackalope Theatre Company</title>
		<link>http://newcitystage.com/2012/03/26/reviewthe-last-duckjackalope-theatre-company/</link>
		<comments>http://newcitystage.com/2012/03/26/reviewthe-last-duckjackalope-theatre-company/#comments</comments>
		<pubDate>Mon, 26 Mar 2012 22:34:45 +0000</pubDate>
		<dc:creator>Lisa Buscani</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Andrew Burden Swanson]]></category>
		<category><![CDATA[Chris Kriz]]></category>
		<category><![CDATA[Jackalope Theatre]]></category>
		<category><![CDATA[Lucas Neff]]></category>
		<category><![CDATA[Marti Lyons]]></category>
		<category><![CDATA[Pat Whalen]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17626</guid>
		<description><![CDATA[RECOMMENDED Jackalope’s latest is a taut pas de deux that examines life’s banal cruelty. The piece’s central issue (do you know who you are?) transforms into the larger, more sinister question: Does anybody know anyone? Royall (Andrew Burden Swanson) waits for the arrival of actor Gerry (Pat Whalen), who hopes to rent Royall’s lake house. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Convert/Goodman Theatre</title>
		<link>http://newcitystage.com/2012/03/05/review-the-convertgoodman-theatre/</link>
		<comments>http://newcitystage.com/2012/03/05/review-the-convertgoodman-theatre/#comments</comments>
		<pubDate>Tue, 06 Mar 2012 04:24:30 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Danai Gurira]]></category>
		<category><![CDATA[Emily Mann]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[LeRoy McClain]]></category>
		<category><![CDATA[Pascale Armand]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17338</guid>
		<description><![CDATA[RECOMMENDED There is something decidedly conventional in the structure of playwright Danai Gurira&#8217;s &#8220;The Convert,&#8221; now in a three-way world-premiere production at the Goodman, the McCarter Theatre Center in Princeton and Center Theatre Group in Los Angeles. The historical drama, set in Southern Africa during the early days of Victorian British colonialism in what became [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Kill Me/WildClaw Theatre</title>
		<link>http://newcitystage.com/2012/02/14/review-kill-mewildclaw-theatre/</link>
		<comments>http://newcitystage.com/2012/02/14/review-kill-mewildclaw-theatre/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 17:54:33 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Aly Renee Amidei]]></category>
		<category><![CDATA[Athenaeum Theatre]]></category>
		<category><![CDATA[Casey Cunningham]]></category>
		<category><![CDATA[Jeff Christian]]></category>
		<category><![CDATA[John Wilson]]></category>
		<category><![CDATA[Jude Roche]]></category>
		<category><![CDATA[Julian Pike]]></category>
		<category><![CDATA[Michaela Petro]]></category>
		<category><![CDATA[Sasha Gioppo]]></category>
		<category><![CDATA[WildClaw Theatre]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17129</guid>
		<description><![CDATA[Playing out like a cross between “Hellraiser” and “In My Skin,” Scott T. Barsotti’s seventy-minute psycho-horror follows the tortured Cam (Sasha Gioppo, haunted and haunting) after she awakens from a coma with the belief that she has lost the ability to die. Her controlling sister (Casey Cunningham) and worried lover (Michaela Petro) attempt to convince [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Disgraced/American Theater Company</title>
		<link>http://newcitystage.com/2012/01/31/review-disgracedamerican-theater-company/</link>
		<comments>http://newcitystage.com/2012/01/31/review-disgracedamerican-theater-company/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 23:04:08 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Alana Arenas]]></category>
		<category><![CDATA[American Theater Company]]></category>
		<category><![CDATA[Ayad Akhtar]]></category>
		<category><![CDATA[Benim Foster]]></category>
		<category><![CDATA[Kimberly Senior]]></category>
		<category><![CDATA[Lee Stark]]></category>
		<category><![CDATA[Usman Ally]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17024</guid>
		<description><![CDATA[RECOMMENDED Amir is an American of Islamic heritage, his parents from the part of the world now known as Pakistan. He seems fully assimilated in all the ways mainstream America would want him to be: he&#8217;s disavowed the religion of his people, married a white woman and, most important of all, become an asshole corporate [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/31/review-disgracedamerican-theater-company/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Motion/Signal Ensemble Theatre</title>
		<link>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/</link>
		<comments>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:00:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Aaron Snook]]></category>
		<category><![CDATA[Bries Vannon]]></category>
		<category><![CDATA[Joe McCauley]]></category>
		<category><![CDATA[Meredith Bell Alvarez]]></category>
		<category><![CDATA[Ronan Marra]]></category>
		<category><![CDATA[Signal Ensemble]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16937</guid>
		<description><![CDATA[RECOMMENDED Signal Ensemble might be the 1968 New York Jets of Chicago theater: scrappy, undermanned and under-resourced, but quarterbacked by a leader with a knack for championship-level razzle dazzle. I&#8217;d write something like that, but Ronan Marra, Signal&#8217;s co-artistic director and the playwright of &#8220;Motion&#8221; is a Cleveland native and a Browns fan, so he [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Calling a Play: &#8220;Motion&#8221; Puts Football on a Different Stage</title>
		<link>http://newcitystage.com/2012/01/30/calling-a-play-motion-puts-football-on-a-different-stage/</link>
		<comments>http://newcitystage.com/2012/01/30/calling-a-play-motion-puts-football-on-a-different-stage/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 10:00:27 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Aaron Snook]]></category>
		<category><![CDATA[Diane Renfeld]]></category>
		<category><![CDATA[Meredith Alvarez]]></category>
		<category><![CDATA[Ronan Marra]]></category>
		<category><![CDATA[Signal Ensemble Theatre]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16851</guid>
		<description><![CDATA[Ronan Marra, one of the founders of Signal Ensemble Theatre and playwright of their breakout hit &#8220;Aftermath,&#8221; is a huge football nerd. He&#8217;s been an NFL fan since he was a kid. He knows the ins and outs, not just of the game, but the behind-the-scenes, the draft, the politics—you name it. &#8220;For the last [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/30/calling-a-play-motion-puts-football-on-a-different-stage/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Feast: an intimate Tempest/Chicago Shakespeare Theater-Redmoon</title>
		<link>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/</link>
		<comments>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 19:13:56 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Adrian Danzig]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Frank Maugeri]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[John Judd]]></category>
		<category><![CDATA[Redmoon]]></category>
		<category><![CDATA[Samuel Taylor]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16840</guid>
		<description><![CDATA[RECOMMENDED What if all the magical action in “The Tempest” happened inside the head of one bitter, wronged man? “The Feast” portrays a tormented Prospero (John Judd) commanding his slaves Ariel (Samuel Taylor) and Caliban (Adrian Danzig) to repeatedly act out an unfolding drama of his own creation using masks and puppets. But despite all [...]]]></description>
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		<slash:comments>0</slash:comments>
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