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	<title>Newcity Stage</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
	<lastBuildDate>Tue, 18 Jun 2013 18:23:38 +0000</lastBuildDate>
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		<title>Review: Mine/The Gift Theatre</title>
		<link>http://newcitystage.com/2013/06/18/review-minethe-gift-theatre/</link>
		<comments>http://newcitystage.com/2013/06/18/review-minethe-gift-theatre/#comments</comments>
		<pubDate>Tue, 18 Jun 2013 18:23:38 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Alexandra Main]]></category>
		<category><![CDATA[Cyd Blakewell]]></category>
		<category><![CDATA[Deborah Ann Smith]]></category>
		<category><![CDATA[Gabriel Franken]]></category>
		<category><![CDATA[Hillary Clemens]]></category>
		<category><![CDATA[Laura Marks]]></category>
		<category><![CDATA[Marti Lyons]]></category>
		<category><![CDATA[Stephen H. Carmody]]></category>
		<category><![CDATA[The Gift Theatre Company]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25672</guid>
		<description><![CDATA[“You’ll have plenty of time to hold her tomorrow. You’ll have the whole rest of your life.” So says brand-new daddy and eager-to-sleep husband Peter (Gabriel Franken) to his excited but exhausted wife Mari (Hillary Clemens) late on the eve of the birth of their first child. After a few minutes of doting indecision and [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>There’s Sex in Your Violence: BONEdanse’s “bully.punk.riot.” is a Mosh Pit of Performance</title>
		<link>http://newcitystage.com/2013/06/18/theres-sex-in-your-violence-bonedanses-bully-punk-riot-is-a-mosh-pit-of-performance/</link>
		<comments>http://newcitystage.com/2013/06/18/theres-sex-in-your-violence-bonedanses-bully-punk-riot-is-a-mosh-pit-of-performance/#comments</comments>
		<pubDate>Tue, 18 Jun 2013 11:00:17 +0000</pubDate>
		<dc:creator>Sharon Hoyer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[Atalee Judy]]></category>
		<category><![CDATA[BONEdanse]]></category>
		<category><![CDATA[Megan Klein]]></category>
		<category><![CDATA[Melissa Ganser]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25570</guid>
		<description><![CDATA[And not just sex: elation, camaraderie, play and, of course, mindlessness, frustration and blind rage. The herds explored in BONEdanse’s “bully.punk.riot.” are unquestionably aggressive ones, but the spirit fueling the mass hysteria ranges from brutal to transcendent. All pieces hit the floor hard, pounding, tumbling, stomping—this must be the most shoving ever put on stage—but [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Chantilly Lace: Ryan G. Dunkin Plays The Big Bopper For The Seventh Time</title>
		<link>http://newcitystage.com/2013/06/17/chantilly-lace-ryan-g-dunkin-plays-the-big-bopper-for-the-seventh-time/</link>
		<comments>http://newcitystage.com/2013/06/17/chantilly-lace-ryan-g-dunkin-plays-the-big-bopper-for-the-seventh-time/#comments</comments>
		<pubDate>Mon, 17 Jun 2013 11:00:20 +0000</pubDate>
		<dc:creator>Johnny Oleksinski</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Broadway In Chicago]]></category>
		<category><![CDATA[Ryan G. Dunkin]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25566</guid>
		<description><![CDATA[By Johnny Oleksinski “Even if you think you don’t know Buddy Holly’s songs, you probably do,” says actor Ryan G. Dunkin reassuringly. He knows them better than most people. Dunkin plays the role of The Big Bopper (Jiles Perry Richardson, Jr.) in the twenty-fifth anniversary tour of “Buddy—The Buddy Holly Story,” which begins in Chicago [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: West Side Story/Broadway In Chicago</title>
		<link>http://newcitystage.com/2013/06/16/review-west-side-storybroadway-in-chicago-2/</link>
		<comments>http://newcitystage.com/2013/06/16/review-west-side-storybroadway-in-chicago-2/#comments</comments>
		<pubDate>Sun, 16 Jun 2013 15:49:33 +0000</pubDate>
		<dc:creator>Johnny Oleksinski</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Addison Reid Coe]]></category>
		<category><![CDATA[Arthur Laurents]]></category>
		<category><![CDATA[Broadway In Chicago]]></category>
		<category><![CDATA[David Saint]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Lin-Manuel Miranda]]></category>
		<category><![CDATA[MaryJoanna Grisso]]></category>
		<category><![CDATA[Steven Sondheim]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25612</guid>
		<description><![CDATA[“You make the world lousy,” says Doc after a group of Jets rapes Anita, girlfriend of Bernardo, the leader of the Sharks. “That’s the way we found it,” shoots back Riff, a Jet, wiping the sweat off his brow. If there was ever an endeavor to name the quintessential New York musical, you’d be hard-pressed [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: The Pride/About Face Theatre</title>
		<link>http://newcitystage.com/2013/06/14/review-the-prideabout-face-theater/</link>
		<comments>http://newcitystage.com/2013/06/14/review-the-prideabout-face-theater/#comments</comments>
		<pubDate>Fri, 14 Jun 2013 18:47:57 +0000</pubDate>
		<dc:creator>Lisa Buscani</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Alexi Kaye Campbell]]></category>
		<category><![CDATA[Jessie Fisher]]></category>
		<category><![CDATA[John Francisco]]></category>
		<category><![CDATA[Patrick Andrews]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25634</guid>
		<description><![CDATA[RECOMMENDED As the gay community inches toward legalized marriage in the Illinois legislature, it cannot escape the fact that no amount of social sanction will save it from the melancholia of longing. Alexi Kaye Campbell’s muscular script captures relationship circumstances set fifty years apart, and the different ways we want what we cannot (or should [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Uncle Bob/Mary-Arrchie Theatre Company</title>
		<link>http://newcitystage.com/2013/06/14/review-uncle-bobmary-arrchie-theatre-company/</link>
		<comments>http://newcitystage.com/2013/06/14/review-uncle-bobmary-arrchie-theatre-company/#comments</comments>
		<pubDate>Fri, 14 Jun 2013 18:44:36 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Andrew Hildner]]></category>
		<category><![CDATA[Austin Pendleton]]></category>
		<category><![CDATA[Cody Estle]]></category>
		<category><![CDATA[Mary-Arrchie Theatre Company]]></category>
		<category><![CDATA[Richard Cotovsky]]></category>
		<category><![CDATA[Rudy Galvan]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25626</guid>
		<description><![CDATA[Stewing alone in his cramped, book-filled apartment in New York City, smug yet self-loathing Bob (Richard Cotovsky) has vague plans to write, think and generally just complain during the final stage of a life he has recently discovered will be cut short by the deadly AIDS he’s contracted. He declares “I don’t want to die [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Half-Price CTA Pass: Collaboraction&#8217;s Thirteenth Annual Sketchbook Festival</title>
		<link>http://newcitystage.com/2013/06/13/a-half-price-cta-pass-collaboractions-thirteenth-annual-sketchbook-festival/</link>
		<comments>http://newcitystage.com/2013/06/13/a-half-price-cta-pass-collaboractions-thirteenth-annual-sketchbook-festival/#comments</comments>
		<pubDate>Thu, 13 Jun 2013 17:00:18 +0000</pubDate>
		<dc:creator>Johnny Oleksinski</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Anthony Moseley]]></category>
		<category><![CDATA[Collaboraction]]></category>
		<category><![CDATA[Kimberly Senior]]></category>
		<category><![CDATA[The Q Brothers]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25543</guid>
		<description><![CDATA[By Johnny Oleksinski Last year&#8217;s Sketchbook, Collaboraction&#8217;s annual festival of new work, was remarkably impressive. The unexpectedly profound and profoundly enjoyable &#8220;Honeybuns&#8221; by Dean Evans emerged from that collection, earning itself widespread critical affection, a fall 2012 remount and an upcoming run at Theater On the Lake. Even the space’s memorable design was tremendously special. [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2013/06/13/a-half-price-cta-pass-collaboractions-thirteenth-annual-sketchbook-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Three Musketeers/Lifeline Theatre</title>
		<link>http://newcitystage.com/2013/06/13/review-the-three-musketeerslifeline-theatre/</link>
		<comments>http://newcitystage.com/2013/06/13/review-the-three-musketeerslifeline-theatre/#comments</comments>
		<pubDate>Thu, 13 Jun 2013 16:02:54 +0000</pubDate>
		<dc:creator>Johnny Oleksinski</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Alexandre Dumas]]></category>
		<category><![CDATA[Amanda Delheimer Dimond]]></category>
		<category><![CDATA[Lifeline Theatre]]></category>
		<category><![CDATA[Robert Kauzlaric]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25529</guid>
		<description><![CDATA[A Hawaiian shirt and a cowboy hat! That’s surely not what writer Alexandre Dumas had pictured in his mind’s eye when he penned “The Three Musketeers” in 1844. When Porthos (Christopher M. Walsh), the biggest and daftest of the storied musketeers, first takes stage, decked out in a Floridian crocodile wrangler’s best attire, it’s clear [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2013/06/13/review-the-three-musketeerslifeline-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Lives of the Pigeons/The Side Project</title>
		<link>http://newcitystage.com/2013/06/13/review-lives-of-the-pigeonsthe-side-project/</link>
		<comments>http://newcitystage.com/2013/06/13/review-lives-of-the-pigeonsthe-side-project/#comments</comments>
		<pubDate>Thu, 13 Jun 2013 15:58:22 +0000</pubDate>
		<dc:creator>Johnny Oleksinski</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Adam Webster]]></category>
		<category><![CDATA[Sherod Santos]]></category>
		<category><![CDATA[Side Project]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25516</guid>
		<description><![CDATA[Although the writer Sherod Santos is known in literary circles for his body of poetry, his words are taking the stage in &#8220;Lives of the Pigeons,&#8221; receiving a world premiere at The Side Project. The theater is fertile ground for poets, and many playwrights will tell you they&#8217;re actually a poet at heart. Even American [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2013/06/13/review-lives-of-the-pigeonsthe-side-project/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Second City Guide to the Opera/Second City and Lyric Opera</title>
		<link>http://newcitystage.com/2013/06/09/review-the-second-city-guide-to-the-operasecond-city-and-lyric-opera/</link>
		<comments>http://newcitystage.com/2013/06/09/review-the-second-city-guide-to-the-operasecond-city-and-lyric-opera/#comments</comments>
		<pubDate>Mon, 10 Jun 2013 01:48:47 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Comedy]]></category>
		<category><![CDATA[Improv/Sketch Reviews]]></category>
		<category><![CDATA[Improv/Sketch/Revues]]></category>
		<category><![CDATA[Bernard Holcomb]]></category>
		<category><![CDATA[Beth Melewski]]></category>
		<category><![CDATA[Joey Bland]]></category>
		<category><![CDATA[Lauren Curnow]]></category>
		<category><![CDATA[Lili-Anne Brown]]></category>
		<category><![CDATA[Lyric Opera of Chicago]]></category>
		<category><![CDATA[Second City]]></category>
		<category><![CDATA[Tim Ryder]]></category>
		<category><![CDATA[Timothy Sniffen]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=25501</guid>
		<description><![CDATA[The pre-show music for Lyric Opera shows don’t typically include selections from Deltron 3030. And you can’t usually order mixed drinks with clever names like The Boozy Baritone or The Icy Maestro from the comfort of your seat (on the stage). And, most notably, it’s certainly not common practice for an usher to say, “Welcome [...]]]></description>
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		<slash:comments>0</slash:comments>
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