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	<title>Newcity Stage</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Dissecting the Big Time: The Seldoms Turn the Harris into a Playground</title>
		<link>http://newcitystage.com/2012/02/01/dissecting-the-big-time-the-seldoms-turn-the-harris-into-a-playground/</link>
		<comments>http://newcitystage.com/2012/02/01/dissecting-the-big-time-the-seldoms-turn-the-harris-into-a-playground/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 10:30:33 +0000</pubDate>
		<dc:creator>Sharon Hoyer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[Carrie Hanson]]></category>
		<category><![CDATA[Harris Theater]]></category>
		<category><![CDATA[Maria Pinto]]></category>
		<category><![CDATA[The Seldoms]]></category>
		<category><![CDATA[Tim Daisy]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16893</guid>
		<description><![CDATA[By Sharon Hoyer A stirring dance show can make a body want to dance right out of the theater, swinging around railings and leaping down stairs. The Seldoms get to do just that as lobbies, stairwells, backstage, balconies, the primo seats and—why not?—the stage too, as every corner of the Harris Theater becomes performance space [...]]]></description>
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		<title>Preview: The Sweet Goddess Project/Honey Pot Performance</title>
		<link>http://newcitystage.com/2012/02/01/preview-the-sweet-goddess-projecthoney-pot-productions/</link>
		<comments>http://newcitystage.com/2012/02/01/preview-the-sweet-goddess-projecthoney-pot-productions/#comments</comments>
		<pubDate>Wed, 01 Feb 2012 10:00:50 +0000</pubDate>
		<dc:creator>Sharon Hoyer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Dance Previews]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[Abra M Johnson]]></category>
		<category><![CDATA[Boogie McClarin]]></category>
		<category><![CDATA[Honey Pot Performance]]></category>
		<category><![CDATA[Jo de Presser]]></category>
		<category><![CDATA[Marjorie Ward Marshall Dance Center]]></category>
		<category><![CDATA[Meida Theresa McNeil]]></category>
		<category><![CDATA[Ni'Ja Whitson]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16897</guid>
		<description><![CDATA[RECOMMENDED Honey Pot Performance invites audiences into the sensuous world of Chicago House, celebrating the feminine side of a movement that gathers all races, genders and sexual identities to the universal pleasure of losing oneself in a transfixing, danceable beat. The Sweet Goddess Project challenges the notion of House as a male-dominated scene, exploring not only [...]]]></description>
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		<title>Review: Disgraced/American Theater Company</title>
		<link>http://newcitystage.com/2012/01/31/review-disgracedamerican-theater-company/</link>
		<comments>http://newcitystage.com/2012/01/31/review-disgracedamerican-theater-company/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 23:04:08 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Alana Arenas]]></category>
		<category><![CDATA[American Theater Company]]></category>
		<category><![CDATA[Ayad Akhtar]]></category>
		<category><![CDATA[Benim Foster]]></category>
		<category><![CDATA[Kimberly Senior]]></category>
		<category><![CDATA[Lee Stark]]></category>
		<category><![CDATA[Usman Ally]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17024</guid>
		<description><![CDATA[RECOMMENDED Amir is an American of Islamic heritage, his parents from the part of the world now known as Pakistan. He seems fully assimilated in all the ways mainstream America would want him to be: he&#8217;s disavowed the religion of his people, married a white woman and, most important of all, become an asshole corporate [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Preview: This Is a Damage Manual/BONEdanse</title>
		<link>http://newcitystage.com/2012/01/31/preview-bonedansethis-is-a-damage-manual/</link>
		<comments>http://newcitystage.com/2012/01/31/preview-bonedansethis-is-a-damage-manual/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:05:22 +0000</pubDate>
		<dc:creator>Sharon Hoyer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Dance Previews]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[Atalee Judy]]></category>
		<category><![CDATA[BONEdanse]]></category>
		<category><![CDATA[Jyl Fehrenkamp]]></category>
		<category><![CDATA[Mindy Meyers]]></category>
		<category><![CDATA[Theater Wit]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16869</guid>
		<description><![CDATA[RECOMMENDED Therapy, motivational albums, self-help books, tranquilizers, psychotropic drugs… Freud gave a language and a theory to our modern psychological damage, the rest of the twentieth century gave us ways to mend it. Atalee Judy and the newly christened BONEdanse delve into our peculiar cultural history of psychic damage control, including 1950s-era recordings from Dr. [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Preview: Winter Tap JAMboree/Chicago Human Rhythm Project</title>
		<link>http://newcitystage.com/2012/01/31/preview-winter-tap-jamboreechicago-human-rhythm-project/</link>
		<comments>http://newcitystage.com/2012/01/31/preview-winter-tap-jamboreechicago-human-rhythm-project/#comments</comments>
		<pubDate>Tue, 31 Jan 2012 10:00:34 +0000</pubDate>
		<dc:creator>Sharon Hoyer</dc:creator>
				<category><![CDATA[Dance]]></category>
		<category><![CDATA[Dance Previews]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[Athenaeum Theater]]></category>
		<category><![CDATA[BAM!]]></category>
		<category><![CDATA[Chicago Human Rhythm Project]]></category>
		<category><![CDATA[DuSable Museum]]></category>
		<category><![CDATA[Lisa La Touche]]></category>
		<category><![CDATA[Mexican Folkloric Dance Company]]></category>
		<category><![CDATA[Tamboula Ethnic Dance Company]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16874</guid>
		<description><![CDATA[RECOMMENDED The Chicago Human Rhythm Project’s annual winter tap fest expands this year to two locations, adding a handful of performances to the regular program of multilevel workshops and master classes taught by some of the best hoofers in the business, including Lisa La Touche of STOMP. In the past, the Winter Jam focus has [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Time Stands Still/Steppenwolf</title>
		<link>http://newcitystage.com/2012/01/30/review-time-stands-stillsteppenwolf/</link>
		<comments>http://newcitystage.com/2012/01/30/review-time-stands-stillsteppenwolf/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 20:00:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Austin Pendleton]]></category>
		<category><![CDATA[Donald Margulies]]></category>
		<category><![CDATA[Francis Guinan]]></category>
		<category><![CDATA[Kristina Valada-Viars]]></category>
		<category><![CDATA[Randall Newsome]]></category>
		<category><![CDATA[Sally Murphy]]></category>
		<category><![CDATA[Steppenwolf]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16964</guid>
		<description><![CDATA[RECOMMENDED War photographer Sarah, played with a sense of psychic damage to match her physically wrecked state by Sally Murphy, is home in New York with her long-term companion James, a freelance war journalist, who Randall Newsome injects with just enough emotionalism to complement Sarah&#8217;s internal struggle. She&#8217;s just barely survived a horrible injury while [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Motion/Signal Ensemble Theatre</title>
		<link>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/</link>
		<comments>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 19:00:55 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Aaron Snook]]></category>
		<category><![CDATA[Bries Vannon]]></category>
		<category><![CDATA[Joe McCauley]]></category>
		<category><![CDATA[Meredith Bell Alvarez]]></category>
		<category><![CDATA[Ronan Marra]]></category>
		<category><![CDATA[Signal Ensemble]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16937</guid>
		<description><![CDATA[RECOMMENDED Signal Ensemble might be the 1968 New York Jets of Chicago theater: scrappy, undermanned and under-resourced, but quarterbacked by a leader with a knack for championship-level razzle dazzle. I&#8217;d write something like that, but Ronan Marra, Signal&#8217;s co-artistic director and the playwright of &#8220;Motion&#8221; is a Cleveland native and a Browns fan, so he [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/30/review-motionsignal-ensemble-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Enron/TimeLine Theatre Company</title>
		<link>http://newcitystage.com/2012/01/30/review-enrontimeline-theatre-company/</link>
		<comments>http://newcitystage.com/2012/01/30/review-enrontimeline-theatre-company/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 16:12:26 +0000</pubDate>
		<dc:creator>Lisa Buscani</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Bret Tuomi]]></category>
		<category><![CDATA[Lucy Prebble]]></category>
		<category><![CDATA[Rachel Rockwell]]></category>
		<category><![CDATA[Sean Fortunato]]></category>
		<category><![CDATA[Terry Hamilton]]></category>
		<category><![CDATA[TimeLine Theatre]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16858</guid>
		<description><![CDATA[RECOMMENDED Jeffrey Skilling (Bret Tuomi) comes to Enron with new ideas: mark-to-market accounting, electricity trading. The company makes fistfuls of cash and causes fatal, rolling blackouts in California. But it’s not just Skilling’s ideas that are scandalous; it’s that everyone (Enron lawyers and accountants, the financial industry) lets him get away with it. I was [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The City Life Supplement/Bootstraps Comedy</title>
		<link>http://newcitystage.com/2012/01/30/review-the-city-life-supplementbootstraps-comedy/</link>
		<comments>http://newcitystage.com/2012/01/30/review-the-city-life-supplementbootstraps-comedy/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 16:08:27 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Performance]]></category>
		<category><![CDATA[Performance Reviews]]></category>
		<category><![CDATA[Recommended Performance]]></category>
		<category><![CDATA[Bootstraps Comedy]]></category>
		<category><![CDATA[Chad Spear]]></category>
		<category><![CDATA[Eric Loughlin]]></category>
		<category><![CDATA[Garrison Keillor]]></category>
		<category><![CDATA[Matt Lyle]]></category>
		<category><![CDATA[Phil Garno]]></category>
		<category><![CDATA[The City Life Supplement]]></category>
		<category><![CDATA[Transistor Chicago]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16885</guid>
		<description><![CDATA[RECOMMENDED Calling itself the “metropolitan” version of “A Prairie Home Companion,” this monthly live radio-show-cum-podcast takes what Garrison Keillor has been doing for decades and adapts it for a younger, hipper crowd, throwing in more laughs (and more swearing). Led with a mix of wide-eyed earnestness and subtle cynicism by artistic director and head writer [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Calling a Play: &#8220;Motion&#8221; Puts Football on a Different Stage</title>
		<link>http://newcitystage.com/2012/01/30/calling-a-play-motion-puts-football-on-a-different-stage/</link>
		<comments>http://newcitystage.com/2012/01/30/calling-a-play-motion-puts-football-on-a-different-stage/#comments</comments>
		<pubDate>Mon, 30 Jan 2012 10:00:27 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Aaron Snook]]></category>
		<category><![CDATA[Diane Renfeld]]></category>
		<category><![CDATA[Meredith Alvarez]]></category>
		<category><![CDATA[Ronan Marra]]></category>
		<category><![CDATA[Signal Ensemble Theatre]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16851</guid>
		<description><![CDATA[Ronan Marra, one of the founders of Signal Ensemble Theatre and playwright of their breakout hit &#8220;Aftermath,&#8221; is a huge football nerd. He&#8217;s been an NFL fan since he was a kid. He knows the ins and outs, not just of the game, but the behind-the-scenes, the draft, the politics—you name it. &#8220;For the last [...]]]></description>
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		<slash:comments>0</slash:comments>
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