By Raymond Rehayem
American Theater Company’s artistic director PJ Paparelli has spearheaded a revival of “Hair” that at times just might make yours stand on end.
“If you’ve never seen ‘Hair’ you’ll have your own experience which I think is very true to the time period. If you have seen ‘Hair’—and a lot of theater people have—I think you’ll be very pleasantly surprised,” says Paparelli, as we speak days before the show’s opening.
Though speaking with him on behalf of Newcity Stage, I don’t qualify as theater people in this sense. I’ve never seen “Hair.” Not even the hit 1979 film adaptation. I had always sensed revivals of the Broadway production and certainly the movie were far removed from the original intent of the show’s creators. Paparelli’s stirring take seeks to bring the audience right to the genuine heart of the oft-staged, widely beloved rock musical.
“Nothing can replace the ‘Hair’ of 1967 and ‘68. Because it’s playing against something so real: the headlines of the day. It’s as if—this sounds horrible—as if you’re doing a theater piece about 9/11 as it’s happening. It would be so powerful and nothing can change that. But what I’ve learned, in terms of theater that’s socially/politically charged, is it’s all about specificity. It’s about being as specific and real as we can, grounding it in its period and the particular issues, and the specificity of the characters and what they’re going through.” Read the rest of this entry »