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	<title>Newcity Stage &#187; Chicago Shakespeare Theater</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Review: The Feast: an intimate Tempest/Chicago Shakespeare Theater-Redmoon</title>
		<link>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/</link>
		<comments>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 19:13:56 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Adrian Danzig]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Frank Maugeri]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[John Judd]]></category>
		<category><![CDATA[Redmoon]]></category>
		<category><![CDATA[Samuel Taylor]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16840</guid>
		<description><![CDATA[RECOMMENDED What if all the magical action in “The Tempest” happened inside the head of one bitter, wronged man? “The Feast” portrays a tormented Prospero (John Judd) commanding his slaves Ariel (Samuel Taylor) and Caliban (Adrian Danzig) to repeatedly act out an unfolding drama of his own creation using masks and puppets. But despite all [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Players: The Fifty People Who Really Perform in Chicago</title>
		<link>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/</link>
		<comments>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 10:00:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Players 50]]></category>
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		<guid isPermaLink="false">http://newcitystage.com/?p=16595</guid>
		<description><![CDATA[With our criteria shifted back to artistic accomplishment in theater, dance, comedy and opera this year, our task got infinitely tougher. Because while the number of performing venues grows at a steady rate, the increase in the number of noteworthy artists seems to grow exponentially. For everyone we name on the list below, we had [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Elizabeth Rex/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/12/09/review-elizabeth-rexchicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/12/09/review-elizabeth-rexchicago-shakespeare-theater/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:14:29 +0000</pubDate>
		<dc:creator>Neal Ryan Shaw</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Diane D'Aquila]]></category>
		<category><![CDATA[Elizabeth I]]></category>
		<category><![CDATA[Ned Lowenscroft]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Steven Sutcliffe]]></category>
		<category><![CDATA[Timothy Findley]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16298</guid>
		<description><![CDATA[RECOMMENDED In many ways, Timothy Findley&#8217;s play is a gender theorist&#8217;s wet dream. On the factual night before the execution of Elizabeth I&#8217;s lover, the Earl of Essex, the queen has ordered Shakespeare&#8217;s players to perform for her distraction and has a fictional confrontation with Ned Lowenscroft, the actor who played Shakespeare&#8217;s leading female roles. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Follies/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/10/18/review-follieschicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/10/18/review-follieschicago-shakespeare-theater/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 15:53:47 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Brad Haak]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[David Siegel]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[Hollis Resnik]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>
		<category><![CDATA[Valerie Maze]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15745</guid>
		<description><![CDATA[RECOMMENDED Back in the 1990s when Gary Griffin was artistic director of Drury Lane Oakbrook where he had directed some of his first musicals, he programmed Stephen Sondheim’s “Follies.” Curiously, despite his longtime love for that show, he allowed his associate director to take it. Thus, despite Griffin’s later reputation for directing Sondheim as associate artistic [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: en route/Chicago Shakespeare Theater and one step at a time like this</title>
		<link>http://newcitystage.com/2011/07/18/review-en-routechicago-shakespeare-theater-and-one-step-at-a-time-like-this/</link>
		<comments>http://newcitystage.com/2011/07/18/review-en-routechicago-shakespeare-theater-and-one-step-at-a-time-like-this/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 23:13:57 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[one step at a time like this]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=14265</guid>
		<description><![CDATA[RECOMMENDED Created specifically for Chicago by one step at a time like this, a group of Melbourne-based artists, “en route” is an intricate maze of an art piece/interactive theater event that combines elements of a scavenger hunt and “Mission: Impossible” to fully bring to life the immortal words of Shakespeare: “All the world’s a stage.” [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Murder for Two—A Killer Musical/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/05/18/review-murder-for-two%e2%80%94a-killer-musicalchicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/05/18/review-murder-for-two%e2%80%94a-killer-musicalchicago-shakespeare-theater/#comments</comments>
		<pubDate>Wed, 18 May 2011 22:04:11 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Alan Schmuckler]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[David H. Bell]]></category>
		<category><![CDATA[Joe Kinosian]]></category>
		<category><![CDATA[Kellen Blair]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13256</guid>
		<description><![CDATA[RECOMMENDED Opening with a surprise party gone awry and a murder to be solved, “Murder for Two—A Killer Musical” (penned by Joe Kinosian and Kellen Blair) quickly explodes into self-aware musical campiness; puns and slapstick abound in a way that would no doubt make Mel Brooks giggle giddily. Officer Marcus Moscowicz (Alan Schmuckler) arrives at [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/05/18/review-murder-for-two%e2%80%94a-killer-musicalchicago-shakespeare-theater/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Madness of George III/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/05/03/review-the-madness-of-george-iiichicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/05/03/review-the-madness-of-george-iiichicago-shakespeare-theater/#comments</comments>
		<pubDate>Wed, 04 May 2011 01:00:20 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Alan Bennett]]></category>
		<category><![CDATA[Alex Weisman]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Harry Groener]]></category>
		<category><![CDATA[Ora Jones]]></category>
		<category><![CDATA[Penny Metropulos]]></category>
		<category><![CDATA[Richard Baird]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13092</guid>
		<description><![CDATA[RECOMMENDED As the acclaim and popularity of “The King’s Speech” and a billion people reportedly tuning into last week’s royal wedding reminded us, we continue to be fascinated with British royalty despite that ancient institution’s ever-increasing irrelevance to anything to do with the modern world. The contemporary sovereign having been reduced to a mere figurehead, [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/05/03/review-the-madness-of-george-iiichicago-shakespeare-theater/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Black Watch/The National Theatre of Scotland and Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/03/31/review-black-watchthe-national-theatre-of-scotland-and-chicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/03/31/review-black-watchthe-national-theatre-of-scotland-and-chicago-shakespeare-theater/#comments</comments>
		<pubDate>Thu, 31 Mar 2011 16:02:00 +0000</pubDate>
		<dc:creator>Neal Ryan Shaw</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Broadway Armory]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[National Theatre of Scotland]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12705</guid>
		<description><![CDATA[RECOMMENDED While the mise-en-scene of the play is mostly clutter-free, the alley stage of the Broadway Armory space framed by scaffolding structures, there is one scenic piece that ends up serving a number of resonant functions: it’s a pool table. Simple as it sounds, with its representations of casual gaming, army truck and even womb, [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chicago Shakespeare Theater announces 2011-2012 season</title>
		<link>http://newcitystage.com/2011/03/22/chicago-shakespeare-theater-announces-2011-2012-season/</link>
		<comments>http://newcitystage.com/2011/03/22/chicago-shakespeare-theater-announces-2011-2012-season/#comments</comments>
		<pubDate>Tue, 22 Mar 2011 15:50:22 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Barbara Gaines]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[Ian McDiarmid]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13735</guid>
		<description><![CDATA[Here&#8217;s the press release from Chicago Shakespeare Theater: Chicago Shakespeare Theater Celebrates 25th Anniversary SEASON HIGHLIGHTS Ian McDiarmid Stars in Barbara Gaines&#8217; Staging of Shakespeare&#8217;s Timon of Athens Gary Griffin Directs Sondheim and Goldman&#8217;s Follies Artists from Arabic-speaking World in US Premiere of One Thousand and One Nights Silver Jubilee Gala Launches Celebration June 6, [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/03/22/chicago-shakespeare-theater-announces-2011-2012-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Cripple of Inishmaan/Druid Theatre Company at Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/03/19/review-the-cripple-of-inishmaan-druid-theatre-company-at-chicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/03/19/review-the-cripple-of-inishmaan-druid-theatre-company-at-chicago-shakespeare-theater/#comments</comments>
		<pubDate>Sun, 20 Mar 2011 00:29:18 +0000</pubDate>
		<dc:creator>Neal Ryan Shaw</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Druid Theatre Company]]></category>
		<category><![CDATA[Garry Hynes]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12518</guid>
		<description><![CDATA[RECOMMENDED Responding to the accusation that his parents killed themselves out of the shame of having a disfigured child, the titular Cripple Billy says, “You don’t know what was in their heads.” This idea resonates through the entire play, in a brilliant and brooding staging by Garry Hynes for Druid Theatre Company. In Ireland in [...]]]></description>
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		<slash:comments>0</slash:comments>
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