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	<title>Newcity Stage &#187; Chicago Shakespeare Theater</title>
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		<title>Review: Timon of Athens/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2012/05/03/review-timon-of-athenschicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2012/05/03/review-timon-of-athenschicago-shakespeare-theater/#comments</comments>
		<pubDate>Thu, 03 May 2012 20:20:02 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Barbara Gaines]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Eric Clapton]]></category>
		<category><![CDATA[Ian McDiarmid]]></category>
		<category><![CDATA[Kevin Depinet]]></category>
		<category><![CDATA[Mike Tutaj]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18426</guid>
		<description><![CDATA[Money can’t buy friends. And as Eric Clapton sings, “Nobody knows you when you’re down and out.” These are lessons wealthy financier Timon learns the hard way when his fortunes flounder and his requests for financial aid are rebuffed by his affluent associates. Considered an unfinished work by most scholars, the somewhat disorganized structure of [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Being Shakespeare/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2012/04/21/review-being-shakespearechicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2012/04/21/review-being-shakespearechicago-shakespeare-theater/#comments</comments>
		<pubDate>Sat, 21 Apr 2012 16:01:24 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Simon Callow]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18143</guid>
		<description><![CDATA[RECOMMENDED Those who have experienced one of veteran British stage and screen actor Simon Callow’s compelling one-man shows in the past will likely be checking out his latest solo effort solely based on the sheer revelation and enjoyment of his previous outings. However, unlike, say, his one-man Dickens show, where so much is known about [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Bard&#8217;s Biography: Simon Callow on Finding the Essence of Shakespeare in his Life and Work</title>
		<link>http://newcitystage.com/2012/04/17/the-bards-biography-simon-callow-on-finding-the-essence-of-shakespeare-in-his-life-and-work/</link>
		<comments>http://newcitystage.com/2012/04/17/the-bards-biography-simon-callow-on-finding-the-essence-of-shakespeare-in-his-life-and-work/#comments</comments>
		<pubDate>Tue, 17 Apr 2012 21:09:57 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Simon Callow]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18064</guid>
		<description><![CDATA[By Dennis Polkow If veteran British stage and screen actor Simon Callow seems a bit late to the one-man-Shakespeare party given how many such plays there have been, consider that Callow has been doing various solo shows for years. &#8220;&#8216;Being Shakespeare&#8217; is the direct offspring of the Dickens show that I did in Chicago about eleven [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chicago Shakespeare Theater announces 2012/2013 season</title>
		<link>http://newcitystage.com/2012/03/12/chicago-shakespeare-theater-announces-20122013-season/</link>
		<comments>http://newcitystage.com/2012/03/12/chicago-shakespeare-theater-announces-20122013-season/#comments</comments>
		<pubDate>Mon, 12 Mar 2012 20:48:54 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Alan Menken]]></category>
		<category><![CDATA[Barbara Gaines]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[Molière]]></category>
		<category><![CDATA[National Theatre of Scotland]]></category>
		<category><![CDATA[Ontroerend Goed]]></category>
		<category><![CDATA[Rachel Rockwell]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17826</guid>
		<description><![CDATA[Chicago Shakespeare Theater announces 2012/13 Season Chicago—March 12, 2012—Chicago Shakespeare Theater (CST) Artistic Director Barbara Gaines and Executive Director Criss Hendersonannounced today CST&#8217;s 2012/13 Season, which begins with a major new production of Sunday in the Park with George by musical team Stephen Sondheim and James Lapine, and also includes the Chicago premiere of The School [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/03/12/chicago-shakespeare-theater-announces-20122013-season/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: A Midsummer Night&#8217;s Dream/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2012/02/26/review-a-midsummer-nights-dreamchicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2012/02/26/review-a-midsummer-nights-dreamchicago-shakespeare-theater/#comments</comments>
		<pubDate>Sun, 26 Feb 2012 20:37:16 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Elizabeth Ledo]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[Mara Blumenfeld]]></category>
		<category><![CDATA[Mike Tutaj]]></category>
		<category><![CDATA[Philip S. Rosenberg]]></category>
		<category><![CDATA[Rob Orbach]]></category>
		<category><![CDATA[Timothy Edward Kane]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17229</guid>
		<description><![CDATA[RECOMMENDED Throughout Gary Griffin’s absorbing two-hour and twenty-minute production, Philip S. Rosenberg’s lights and Mike Tutaj’s projections coordinate with Mara Blumenfeld’s costumes to create an arresting wash of lush purples and oranges, working as much dreamy magic on the audience as Timothy Edward Kane’s gleeful fairy king Oberon and Elizabeth Ledo’s gender-bending Puck work on [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Feast: an intimate Tempest/Chicago Shakespeare Theater-Redmoon</title>
		<link>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/</link>
		<comments>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/#comments</comments>
		<pubDate>Thu, 26 Jan 2012 19:13:56 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Adrian Danzig]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Frank Maugeri]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[John Judd]]></category>
		<category><![CDATA[Redmoon]]></category>
		<category><![CDATA[Samuel Taylor]]></category>
		<category><![CDATA[William Shakespeare]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16840</guid>
		<description><![CDATA[RECOMMENDED What if all the magical action in “The Tempest” happened inside the head of one bitter, wronged man? “The Feast” portrays a tormented Prospero (John Judd) commanding his slaves Ariel (Samuel Taylor) and Caliban (Adrian Danzig) to repeatedly act out an unfolding drama of his own creation using masks and puppets. But despite all [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/26/review-the-feast-an-intimate-tempestchicago-shakespeare-theater-redmoon/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Players: The Fifty People Who Really Perform in Chicago</title>
		<link>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/</link>
		<comments>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 10:00:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Players 50]]></category>
		<category><![CDATA[1001]]></category>
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		<category><![CDATA[The Big Mea]]></category>
		<category><![CDATA[The Clinking]]></category>
		<category><![CDATA[The Collectibles]]></category>
		<category><![CDATA[The Crowd You're In With]]></category>
		<category><![CDATA[The Dance COLEctive]]></category>
		<category><![CDATA[The Deltones]]></category>
		<category><![CDATA[The Doyle and Debbie Show]]></category>
		<category><![CDATA[The Goat]]></category>
		<category><![CDATA[The Iceman Cometh]]></category>
		<category><![CDATA[The Jackie Wilson Story]]></category>
		<category><![CDATA[The Jacksonian]]></category>
		<category><![CDATA[The Mandrake]]></category>
		<category><![CDATA[The March]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[The Mikado]]></category>
		<category><![CDATA[The Prime of Miss Jean Brodie]]></category>
		<category><![CDATA[The Reckoning]]></category>
		<category><![CDATA[The Seagull]]></category>
		<category><![CDATA[The Seldoms]]></category>
		<category><![CDATA[The Trinity River Plays]]></category>
		<category><![CDATA[The Ugly One]]></category>
		<category><![CDATA[The White City: Chicago's Columbian Exhibition of 1893]]></category>
		<category><![CDATA[Theo Ubique]]></category>
		<category><![CDATA[This Is A Damage Manual]]></category>
		<category><![CDATA[This Is Not A Dance Concert]]></category>
		<category><![CDATA[This Train]]></category>
		<category><![CDATA[Thodos Dance]]></category>
		<category><![CDATA[TimeLine]]></category>
		<category><![CDATA[Timothy Edward Kane]]></category>
		<category><![CDATA[TJ & Dave]]></category>
		<category><![CDATA[Tobacco Road]]></category>
		<category><![CDATA[Todd Rosenthal]]></category>
		<category><![CDATA[Tony Fitzpatrick]]></category>
		<category><![CDATA[Tony Kushner]]></category>
		<category><![CDATA[Tracy Letts]]></category>
		<category><![CDATA[UP Comedy Club]]></category>
		<category><![CDATA[Verdi’s “Otello]]></category>
		<category><![CDATA[Victory Gardens]]></category>
		<category><![CDATA[Waiting for Lefty]]></category>
		<category><![CDATA[Whence]]></category>
		<category><![CDATA[Who's Afraid of Virginia Woolf]]></category>
		<category><![CDATA[Writers' Theatre]]></category>
		<category><![CDATA[Yellow Face]]></category>
		<category><![CDATA[You Should Be Famous]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16595</guid>
		<description><![CDATA[With our criteria shifted back to artistic accomplishment in theater, dance, comedy and opera this year, our task got infinitely tougher. Because while the number of performing venues grows at a steady rate, the increase in the number of noteworthy artists seems to grow exponentially. For everyone we name on the list below, we had [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: Elizabeth Rex/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/12/09/review-elizabeth-rexchicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/12/09/review-elizabeth-rexchicago-shakespeare-theater/#comments</comments>
		<pubDate>Fri, 09 Dec 2011 16:14:29 +0000</pubDate>
		<dc:creator>Neal Ryan Shaw</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Diane D'Aquila]]></category>
		<category><![CDATA[Elizabeth I]]></category>
		<category><![CDATA[Ned Lowenscroft]]></category>
		<category><![CDATA[Shakespeare]]></category>
		<category><![CDATA[Steven Sutcliffe]]></category>
		<category><![CDATA[Timothy Findley]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16298</guid>
		<description><![CDATA[RECOMMENDED In many ways, Timothy Findley&#8217;s play is a gender theorist&#8217;s wet dream. On the factual night before the execution of Elizabeth I&#8217;s lover, the Earl of Essex, the queen has ordered Shakespeare&#8217;s players to perform for her distraction and has a fictional confrontation with Ned Lowenscroft, the actor who played Shakespeare&#8217;s leading female roles. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Follies/Chicago Shakespeare Theater</title>
		<link>http://newcitystage.com/2011/10/18/review-follieschicago-shakespeare-theater/</link>
		<comments>http://newcitystage.com/2011/10/18/review-follieschicago-shakespeare-theater/#comments</comments>
		<pubDate>Tue, 18 Oct 2011 15:53:47 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Brad Haak]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[David Siegel]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[Hollis Resnik]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>
		<category><![CDATA[Valerie Maze]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15745</guid>
		<description><![CDATA[RECOMMENDED Back in the 1990s when Gary Griffin was artistic director of Drury Lane Oakbrook where he had directed some of his first musicals, he programmed Stephen Sondheim’s “Follies.” Curiously, despite his longtime love for that show, he allowed his associate director to take it. Thus, despite Griffin’s later reputation for directing Sondheim as associate artistic [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: en route/Chicago Shakespeare Theater and one step at a time like this</title>
		<link>http://newcitystage.com/2011/07/18/review-en-routechicago-shakespeare-theater-and-one-step-at-a-time-like-this/</link>
		<comments>http://newcitystage.com/2011/07/18/review-en-routechicago-shakespeare-theater-and-one-step-at-a-time-like-this/#comments</comments>
		<pubDate>Mon, 18 Jul 2011 23:13:57 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[one step at a time like this]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=14265</guid>
		<description><![CDATA[RECOMMENDED Created specifically for Chicago by one step at a time like this, a group of Melbourne-based artists, “en route” is an intricate maze of an art piece/interactive theater event that combines elements of a scavenger hunt and “Mission: Impossible” to fully bring to life the immortal words of Shakespeare: “All the world’s a stage.” [...]]]></description>
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		<slash:comments>0</slash:comments>
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