This production of “Gypsy,” now at Chicago Shakespeare Theater, begins gorgeously before the first note, at the silent sight of the ornate gilded frame of a stage that promises showbiz is about to happen. Then, boom, it does. The production’s big brassy crackerjack orchestra delivers “Gypsy’”s spectacular overture. It would be a fine concert piece in itself, if it did not tease the musical’s rich set of great, now standard, Jule Styne-Stephen Sondheim tunes. Like the kids in the show who are ordered to “Sing Out!” by Madame Rose, the tiger-stage-mother who commands them, this production commits. This must be one of the best-looking, best-acted and best instrumental stagings of “Gypsy” ever.
The show famously recounts the teen years of Louise, the future Gypsy Rose Lee, as her family, headed by the domineering Rose, travels the 1920s Vaudeville circuit. They’re a kitschy young children’s act composed of aging kids. The show revolves mainly around Rose and how her two daughters and loyal lover deal with, and ultimately reject her machinations. At first, the kids are played by real children. Small Emily Leahy as Louise’s headlining sister Baby June is a singing, tapping baton-twirling wonder. Caroline Heffernan as the young Louise/future Gypsy movingly conveys how being a normal, shy, smart child estranged her from her mother yearning for the family’s stardom. Read the rest of this entry »