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	<title>Newcity Stage &#187; Goodman</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
	<lastBuildDate>Thu, 09 Feb 2012 22:07:41 +0000</lastBuildDate>
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		<title>Review: Race/Goodman Theatre</title>
		<link>http://newcitystage.com/2012/01/24/review-racegoodman-theatre/</link>
		<comments>http://newcitystage.com/2012/01/24/review-racegoodman-theatre/#comments</comments>
		<pubDate>Tue, 24 Jan 2012 22:27:56 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Chuck Smith]]></category>
		<category><![CDATA[David Mamet]]></category>
		<category><![CDATA[Goodman]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16813</guid>
		<description><![CDATA[RECOMMENDED When David Mamet was on Charlie Rose promoting the New York premiere of his new play “Race” last year, he was naturally enough asked what he thought of President Obama. “I would rather not answer that question,” he said after a long silence, “as it might influence how people approach this play.” Since then, [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>The Players: The Fifty People Who Really Perform in Chicago</title>
		<link>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/</link>
		<comments>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 10:00:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Players 50]]></category>
		<category><![CDATA[1001]]></category>
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		<category><![CDATA[500 Clown]]></category>
		<category><![CDATA[A Catered Affair]]></category>
		<category><![CDATA[A Christmas Carol]]></category>
		<category><![CDATA[A Midsummer Night’s Dream]]></category>
		<category><![CDATA[A Minister's Wife]]></category>
		<category><![CDATA[A Red Orchid]]></category>
		<category><![CDATA[A Streetcar Named Desire]]></category>
		<category><![CDATA[A True History of the Johnstown Flood]]></category>
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		<category><![CDATA[Alejandro Cerrudo]]></category>
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		<category><![CDATA[E. Faye Butler]]></category>
		<category><![CDATA[East of Berlin and The Russian Play]]></category>
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		<category><![CDATA[How to Succeed in Business Without Really Trying]]></category>
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		<category><![CDATA[I Want to Draw A Cat for You]]></category>
		<category><![CDATA[Impress These Apes]]></category>
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		<category><![CDATA[In the Next Room or the vibrator play]]></category>
		<category><![CDATA[Indiana Jones]]></category>
		<category><![CDATA[It's A Wonderful Life: Live at the Biograph]]></category>
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		<category><![CDATA[Malik Gillani]]></category>
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		<category><![CDATA[Odradek]]></category>
		<category><![CDATA[Or Change]]></category>
		<category><![CDATA[or Who is Sylvia?]]></category>
		<category><![CDATA[Our Dad is in Atlantis]]></category>
		<category><![CDATA[Paul Robeson]]></category>
		<category><![CDATA[Penelope]]></category>
		<category><![CDATA[Porchlight]]></category>
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		<category><![CDATA[Putting It Together]]></category>
		<category><![CDATA[Race]]></category>
		<category><![CDATA[Re-Spiced: A Silk Road Cabaret]]></category>
		<category><![CDATA[Rebecca Gilman]]></category>
		<category><![CDATA[Red]]></category>
		<category><![CDATA[Regina Taylor]]></category>
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		<category><![CDATA[River North Chicago Dance]]></category>
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		<category><![CDATA[Robert Falls]]></category>
		<category><![CDATA[Romeo and Juliet]]></category>
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		<category><![CDATA[Royal George]]></category>
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		<category><![CDATA[Second City's Improv All-Stars]]></category>
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		<category><![CDATA[Shark Tank]]></category>
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		<category><![CDATA[Signal Ensemble Theatre]]></category>
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		<category><![CDATA[Some Enchanted Evening: The Songs of Rodgers & Hammerstein]]></category>
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		<category><![CDATA[The Reckoning]]></category>
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		<category><![CDATA[The White City: Chicago's Columbian Exhibition of 1893]]></category>
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		<category><![CDATA[Todd Rosenthal]]></category>
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		<category><![CDATA[Tony Kushner]]></category>
		<category><![CDATA[Tracy Letts]]></category>
		<category><![CDATA[UP Comedy Club]]></category>
		<category><![CDATA[Verdi’s “Otello]]></category>
		<category><![CDATA[Victory Gardens]]></category>
		<category><![CDATA[Waiting for Lefty]]></category>
		<category><![CDATA[Whence]]></category>
		<category><![CDATA[Who's Afraid of Virginia Woolf]]></category>
		<category><![CDATA[Writers' Theatre]]></category>
		<category><![CDATA[Yellow Face]]></category>
		<category><![CDATA[You Should Be Famous]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16595</guid>
		<description><![CDATA[With our criteria shifted back to artistic accomplishment in theater, dance, comedy and opera this year, our task got infinitely tougher. Because while the number of performing venues grows at a steady rate, the increase in the number of noteworthy artists seems to grow exponentially. For everyone we name on the list below, we had [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Speaking for the Ninety-Nine Percent: A Conversation with &#8220;A Christmas Carol&#8221; Director Steve Scott</title>
		<link>http://newcitystage.com/2011/11/22/speaking-for-the-ninety-nine-percent-a-conversation-with-a-christmas-carol-director-steve-scott/</link>
		<comments>http://newcitystage.com/2011/11/22/speaking-for-the-ninety-nine-percent-a-conversation-with-a-christmas-carol-director-steve-scott/#comments</comments>
		<pubDate>Tue, 22 Nov 2011 10:05:42 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Christmas]]></category>
		<category><![CDATA[Holiday]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[A Christmas Carol]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Steve Scott]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16113</guid>
		<description><![CDATA[By Rachel Helene Swift This week, Ebenezer Scrooge, Bob Cratchit, and Tiny Tim took the stage in the Goodman Theatre’s thirty-fourth annual production of &#8220;A Christmas Carol.&#8221; Veteran director Steve Scott, who last presented the show in 1992, reimagines Charles Dickens’ classic story with new special effects, music and choreography. We recently caught up with [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/11/22/speaking-for-the-ninety-nine-percent-a-conversation-with-a-christmas-carol-director-steve-scott/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Red/Goodman</title>
		<link>http://newcitystage.com/2011/09/27/review-redgoodman/</link>
		<comments>http://newcitystage.com/2011/09/27/review-redgoodman/#comments</comments>
		<pubDate>Wed, 28 Sep 2011 01:00:54 +0000</pubDate>
		<dc:creator>Monica Westin</dc:creator>
				<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Edward Gero]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[John Logan]]></category>
		<category><![CDATA[Mark Rothko]]></category>
		<category><![CDATA[Patrick Andrews]]></category>
		<category><![CDATA[Robert Falls]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15341</guid>
		<description><![CDATA[John Logan’s play is intentionally tricky: it both valorizes and occasionally gently undermines our hyperbolic image of the artist as a visionary, rebel, philosopher and spiritual guide all in one. For no period in recent art history has this stereotype been more reified than in abstract-expressionism, where the personalities of artists like Pollock, de Kooning [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Chinglish/Goodman Theatre</title>
		<link>http://newcitystage.com/2011/06/28/review-chinglishgoodman-theatre/</link>
		<comments>http://newcitystage.com/2011/06/28/review-chinglishgoodman-theatre/#comments</comments>
		<pubDate>Tue, 28 Jun 2011 14:03:42 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[David Henry Hwang]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[James Waterston]]></category>
		<category><![CDATA[Jennifer Lim]]></category>
		<category><![CDATA[Leigh Silverman]]></category>
		<category><![CDATA[Stephen Pucci]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13938</guid>
		<description><![CDATA[RECOMMENDED Not long after Ted Fishman wrote the book &#8220;China, Inc.,&#8221; I accompanied him on a trip to Shanghai, where he was to deliver a series of talks to American business leaders eager to gain access to this mysterious land of unprecedented opportunity. Shortly after landing at Pudong International Airport, I found myself not only [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Chinglish Lessons: The playwright on the Chicago summer of David Henry Hwang</title>
		<link>http://newcitystage.com/2011/06/15/chinglish-lessons-the-playwright-on-the-chicago-summer-of-david-henry-hwang/</link>
		<comments>http://newcitystage.com/2011/06/15/chinglish-lessons-the-playwright-on-the-chicago-summer-of-david-henry-hwang/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 09:01:10 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Chay Yew]]></category>
		<category><![CDATA[David Henry Hwang]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Halcyon Theatre]]></category>
		<category><![CDATA[Jamil Khoury]]></category>
		<category><![CDATA[Jonathan Pryce]]></category>
		<category><![CDATA[Malik Gillani]]></category>
		<category><![CDATA[María Irene Fornés]]></category>
		<category><![CDATA[Murray Rednick]]></category>
		<category><![CDATA[Patrick Hills]]></category>
		<category><![CDATA[Robert Falls]]></category>
		<category><![CDATA[Sam Shepard]]></category>
		<category><![CDATA[Silk Road Theatre Project]]></category>
		<category><![CDATA[Theatre Communications Group]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13546</guid>
		<description><![CDATA[By Dennis Polkow Although his diverse career spans more than thirty years and has encompassed television, movies, performance art, opera and musicals, 53-year old playwright and Los Angeles native David Henry Hwang is best known for his 1988 Tony Award-winning Broadway play “M. Butterfly” and as the preeminent voice of the Asian-American experience. His words [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Stage Kiss/Goodman Theatre</title>
		<link>http://newcitystage.com/2011/05/10/review-stage-kissgoodman-theatre/</link>
		<comments>http://newcitystage.com/2011/05/10/review-stage-kissgoodman-theatre/#comments</comments>
		<pubDate>Tue, 10 May 2011 23:48:26 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Jeffrey Carlson]]></category>
		<category><![CDATA[Jenny Bacon]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[Mark L. Montgomery]]></category>
		<category><![CDATA[Noël Coward]]></category>
		<category><![CDATA[Ross Lehman]]></category>
		<category><![CDATA[Sarah Ruhl]]></category>
		<category><![CDATA[Todd Rosenthal]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13153</guid>
		<description><![CDATA[RECOMMENDED There are few nights more exciting than a world premiere by a leading playwright when the work lives up to its excitement. In a certain way, the audience feels pride of discovery, like we&#8217;ve pointed out the future Mozart in the Salzburg maternity ward or something. The opening of &#8220;Stage Kiss&#8221; was one of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: El Nogalar/Goodman Theatre and Teatro Vista</title>
		<link>http://newcitystage.com/2011/04/05/review-el-nogalar-goodman-theatre-and-teatro-vista/</link>
		<comments>http://newcitystage.com/2011/04/05/review-el-nogalar-goodman-theatre-and-teatro-vista/#comments</comments>
		<pubDate>Tue, 05 Apr 2011 15:55:22 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Anton Chekhov]]></category>
		<category><![CDATA[Brian Sidney Bembridge]]></category>
		<category><![CDATA[Carlo Lorenzo Garcia]]></category>
		<category><![CDATA[Cecilie D. Keenan]]></category>
		<category><![CDATA[Charin Alvarez]]></category>
		<category><![CDATA[Christina Nieves]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Sandra Delgado]]></category>
		<category><![CDATA[Tanya Saracho]]></category>
		<category><![CDATA[Teatro Vista]]></category>
		<category><![CDATA[Yuneun Pardo]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12801</guid>
		<description><![CDATA[RECOMMENDED The United States&#8217; long-troubled relationship with its southern border state tends to paint much of our perception of Mexico in simple black-and-white tones. Tanya Saracho&#8217;s reworking of Chekhov&#8217;s &#8220;The Cherry Orchard&#8221; as &#8220;El Nogalar&#8221; (The Pecan Orchard) crafts a more complex and colorful picture of a nation not only in a constant struggle to [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: God of Carnage/Goodman Theatre</title>
		<link>http://newcitystage.com/2011/03/14/review-god-of-carnagegoodman-theatre/</link>
		<comments>http://newcitystage.com/2011/03/14/review-god-of-carnagegoodman-theatre/#comments</comments>
		<pubDate>Tue, 15 Mar 2011 00:58:15 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Beth Lacke]]></category>
		<category><![CDATA[David Pasquesi]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Keith Kupferer]]></category>
		<category><![CDATA[Mary Beth Fisher]]></category>
		<category><![CDATA[Rick Snyder]]></category>
		<category><![CDATA[Takeshi Kata]]></category>
		<category><![CDATA[Yasmina Reza]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12486</guid>
		<description><![CDATA[RECOMMENDED There isn&#8217;t much to say about Goodman&#8217;s production of Yasmina Reza&#8217;s Tony Award-winning new play, &#8220;God of Carnage,&#8221; other than it&#8217;s perfect. The play itself, from the creator of one of the most financially and critically successful shows of our time, &#8220;Art,&#8221; confirms that the French writer is a master of the contemporary upper-middle-class [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Mary/Goodman Theatre</title>
		<link>http://newcitystage.com/2011/02/14/review-marygoodman-theatre/</link>
		<comments>http://newcitystage.com/2011/02/14/review-marygoodman-theatre/#comments</comments>
		<pubDate>Tue, 15 Feb 2011 03:00:09 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Kevin Depinet]]></category>
		<category><![CDATA[May Adrales]]></category>
		<category><![CDATA[Thomas Bradshaw]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12041</guid>
		<description><![CDATA[RECOMMENDED It took me a while to decide if I loved or hated Thomas Bradshaw&#8217;s &#8220;Mary,&#8221; in its world-premiere production at the Goodman Theatre. I decided on the former, in large part because of the very fact that it created this quandary for me—I like plays that provoke—but if you go with the latter, I [...]]]></description>
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		<slash:comments>1</slash:comments>
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