Theater, Dance, Comedy and Performance in Chicago

Preview: Hubbard Street Dance/Harris Theater

Dance, Dance Previews, Recommended Dance Shows No Comments »

T0XtlHzFW1qQmH9S4cdjpTMLXLMFslEQR46ZCz7X6e0

RECOMMENDED

The name Gustavo Ramirez Sansano can bring pangs to those who were busy developing an addiction to his work at the helm of Luna Negra Dance Theater, both as artistic director—introducing us to brilliant young voices from Europe—and as choreographer (notably his epic and dreamlike dance interpretation of Bizet’s “Carmen”) when the company regrettably folded in 2013. Happily, Ramirez Sansano has been invited to create a new piece for Hubbard Street’s spring program, a tribute to George Balanchine set to the same Tchaikovsky suite as Balanchine’s famous “Theme and Variations.” Another premiere on the program comes from Crystal Pite, founder and director of Vancouver-based Kidd Pivot. Read the rest of this entry »

Lend Us a Tenor: Brandon Jovanovich Books an Unusual “Passage”

-News etc., Opera, Profiles No Comments »
brandon_jovanovich

Brandon Jovanovich/Photo: Kristen Hoebermann

Brandon Jovanovich has played heroic tenor roles here and around the world but this month is revealing two other sides of himself: playing the role of Walter, a German diplomat and husband of a former Auschwitz guard in “The Passenger,” the rediscovered Holocaust opera by Mieczyslaw Weinberg at Lyric Opera, and singing diverse material of his own choosing on Harris Theater’s final “Beyond the Aria” recital of the season with soprano Amber Wagner and Ryan Center baritone Will Liverman on March 10.

“It’s a heck of a piece,” says Jovanovich of “The Passenger” in his Lyric dressing room, with scores for oratorios he is also working on visible on the piano. “There is a lot of jazz in it, some swing, there’s some funk happening there. There is some dissonance but it is also transparent in a lot of spots. It’s important to let the music speak for itself and not work against it. Read the rest of this entry »

Preview: Alonzo King LINES Ballet/Harris Theater

Dance, Dance Previews, Recommended Dance Shows, Uncategorized No Comments »

LINES-Meyer

RECOMMENDED

The power, reedy elegance and remarkable precision of LINES Ballet returns to the Harris in two weeknight programs. On Wednesday, the San Francisco-based company participates in the Harris’ wallet-friendly happy-hour series Eat + Drink to the Beat, performing King’s nod to ballet history and the emergence of neoclassicism, “Concerto for Two Violins,” along with his newest work “Shostakovich.” Thursday evening is a full program that includes the gorgeous, technically intricate and emotionally transcendent “Writing Ground,” set to music from various religious traditions and inspired by the poetry of Colum McCann. Read the rest of this entry »

Preview: Restless Creature/Wendy Whelan

Dance, Dance Previews, Recommended Dance Shows No Comments »
Photo courtesy Christopher Duggan

Photo: Christopher Duggan

RECOMMENDED

Two years ago, in an extended interview with Alejandro Cerrudo about the premiere of his first evening-length work, the conversation momentarily turned to a side project he had been invited to choreograph for. The Chicago performance wasn’t yet announced so Cerrudo asked me to keep it quiet, but the resident choreographer for Hubbard Street couldn’t help but gush a little with excitement; he was clearly starstruck. “She’s so incredibly nice and down to earth,” he said. “And, I mean, she’s Wendy Whelan.” Read the rest of this entry »

Preview: Giordano Dance Chicago/Harris Theater

Dance, Dance Reviews, Recommended Dance Shows No Comments »
Photo: Gorman Cook Photography

Photo: Gorman Cook Photography

RECOMMENDED

The headlining piece in Giordano’s fall program is a commission from Broadway and television choreographer Ray Leeper. Leeper makes commercial dances for music videos and TV dance competitions—big show-stoppers full of flash and fun, dance that’s about pure entertainment. “I’m totally okay with entertainment,” artistic director Nan Giordano said. “It’s a big part of what our company does. There’s plenty of dark dance out there. I want the audience to walk out feeling great.” And feeling great is the theme of the number, set to three iconic songs on the subject. It opens to Michael Buble’s brassy, slinky rendition of “Feeling Good” and explodes across the stage in full-on Broadway style, complete with Fosse arms and black fedoras. Part two centers around sexy, bluesy partner work set to “Dr. Feelgood” and the big finish is to a rearrangement of Harold Arlen’s “Get Happy,” (made famous by Judy Garland in “Summer Stock”). The updated version of the tune provides space for a big buildup, not identifiably reaching the main theme till about halfway through the song. Leeper uses expansive traveling patterns and crossing lines of dancers to great effect; as he told me, “We break the fourth wall a lot.” The stage seems to triple in size with the exuberant energy of the Giordano dancers. This is the kind of smile-inducing number that lets you know where to clap, that inspired my three-year-old self to jump out of theater seats and dance in aisles. Read the rest of this entry »

A Bigger Sandbox: Hubbard Street Dance and The Second City Play Together

Dance, Recommended Dance Shows No Comments »
Joey Bland and Robyn Mineko Williams

Joey Bland and Robyn Mineko Williams

Two tremendously gifted groups of craftspeople working in different mediums have joined their toolboxes and been set loose in one of the biggest workshop playgrounds in the city. A massive amount of talent is in the mix, both in quality and quantity: the entire Hubbard Street Dance Chicago and Hubbard Street 2 companies—twenty-seven dancers combined—plus the four writers, six actors and musical director of The Second City. Simultaneous rehearsals spread across four rooms at Lou Conte Dance Studio, with musicians, actors, directors, choreographers and dancers bouncing from room to room, piecing together their individually developed scenes—about twenty-five scenes in all, according to Hubbard Street artistic director Glenn Edgerton—some driven by text, with dance woven in, some driven by dance in a theatrical context; and the final start-to-finish product is something of a mystery to all, save Second City director Billy Bungeroth, just one week before the production. Read the rest of this entry »

Review: River North Dance Chicago/Harris Theater

Dance, Dance Previews, Recommended Dance Shows No Comments »
Photo: Cheryl Mann

Photo: Cheryl Mann

RECOMMENDED

“I was surprised,” choreographer Ivan Perez said when I asked how it was to work with the dancers of River North Dance Chicago. “They’re very jazz-based and I was surprised how invested they were in learning this work and how they took to it. It’s great to work with companies well established in this vocabulary, but it can be more interesting to work with dancers looking to challenge themselves and do something new.”

Perez is an independent choreographer, born in Spain and residing in the Netherlands, where he has lived since his stint as a company member of Nederlands Dans Theater. He is in Chicago by invitation of Frank Chaves, artistic director of River North, which celebrates twenty-five years this fall. The invitation was essentially a cold call; Chaves found a clip from Perez’s “Flesh” on YouTube, and the thee minutes worth of duet he saw was enough to inspire Chaves to call up the young choreographer in The Hague and talk about a visit to set the piece on River North. “It was my first experience shopping online for a choreographer,” Chaves said, “and I scored.” Read the rest of this entry »

Preview: Summer Series/Hubbard Street Dance

Dance, Dance Previews, Recommended Dance Shows No Comments »
Jonathan Fredrickson and Ana Lopez rehearsing for "The Impossible"

Jonathan Fredrickson and Ana Lopez in rehearsal for “The Impossible”

RECOMMENDED

Hubbard Street closes out their season on the big screen, with a Friday night simulcast to a forty-foot LED screen in Millennium Park. The free seats may be some of the best ones, allowing you to catch a reprise of Jiri Kylian’s “Falling Angels,” which the company premiered in the winter, and two pieces by resident choreographer Alejandro Cerrudo: “PACOPEPEPLUTO,” a charming, witty work for three soloists set to Dean Martin tunes, and a new piece entitled “The Impossible.” Cerrudo’s new work is a return to narrative choreography; an elderly couple is mirrored by their younger selves and haunted by a ghostly band, lead by a mysterious, menacing, somewhat lecherous puppetmaster. The music is big and suspenseful, edited together (as always) by the choreographer. Read the rest of this entry »

Preview: Snow White/Ballet Preljocaj

Dance, Dance Previews, Recommended Dance Shows No Comments »

blanche_neige_9. 300 dpiRECOMMENDED

Sex, violence, murder, revenge, high fashion. Angelin Preljocaj’s vision of Snow White delivers the most visceral elements of the Grimm Brothers’ tale with delicious aplomb. The woodland nymphs and satyrs who befriend the runaway Snow White are interrupted from sensuous flirtations; the first kiss between Snow White and her prince is deep, long and performed in the horizontal; the disguised evil queen does not offer her poisoned apple for a timid bite, but rams it into Snow White’s mouth with shocking force, dragging her across the floor by her head until she falls unconscious; and the grief-stricken prince drags, rolls, spins and tosses about the completely limp Snow White in what must be the most imaginative pas de deux ever staged. Read the rest of this entry »

Preview: Visceral Dance Chicago/Harris Theater

Dance, Dance Previews, Recommended Dance Shows No Comments »

UntitledRECOMMENDED

There’s a new high-profile contemporary dance company in town. Nick Pupillo’s Visceral Dance Chicago, born of and named after the studio he opened on the Northwest Side, made its debut last fall at the Harris Theater—an ambitious start for an ambitious artistic director. Over the winter the company acquired some strong repertory and their first spring program features works by familiar names. Rising star choreographer Monica Cervantes, the tiny powerhouse who formerly danced with Luna Negra Dance Theater, brings “Changes,” an abstract piece woven through with images of everyday life. Read the rest of this entry »

personal loans for poor credit in gadda | online personal loans instant approval philippines earthquake | personal loans to pay off bills | fast cash 500 payday loans | unsecured personal loans in columbus ohio