The young wife and husband team of Brenna Pierson-Tucker and Christopher Tucker bring their three-year-old company and their conceptual choreography to the new Links Hall. Four short pieces by the couple touch on topics as divergent as the lives of vaudevillian peep-show performers and string theory. “Chiaroscuro” takes inspiration from works by Chicago-based artist Lauren Wilk, but ultimately seeks to use light and dark as a metaphor for internal duality. “After the Nickel Runs Out” draws a parallel between primitive motion picture kinetoscopes and the objectification of performers, and “Em-Em-Dubs” toys around with the underlying ideas behind quantum mechanics and jazz. The intent of “Translate to 2” is more a pure exploration of movement, with the introduction of physical constraints and how those constraints resonate after they’re removed. Read the rest of this entry »
By Sharon Hoyer
Julia Rhoads and her thoughtful dance theater company Lucky Plush have been on the road and in residency for the last two years, revising and rebuilding two evening-length pieces, “Cinderbox 2.0″ and “The Better Half.” Both works—one inspired by reality TV, the other by the complexities of identity and role expectations in marriage, as framed by the 1944 film “Gaslight”—will enjoy a two-week run at the new Links Hall, all leading up to the premiere of a brand-new piece in May. Rhoads spoke with me about the evolution of these works and the importance of revision.
How did the reboot of “Cinderbox 18″ come about?
“Cinderbox 18” was a big change in my process. We had finished the structure of the work pretty quickly and had three months to live inside it before showing it at the MCA. We really opened it up in terms of what was the environment, what were the relationships between the people. The work was loosely based on my preoccupation with bad reality TV at the time. Read the rest of this entry »
Thank heaven for Links Hall. The organization (now housed at the new Constellation space, formerly the Viaduct Theater on Western) provides the kind of support for new and off-Loop creative work that artists (and audiences) move to big cities for. The next big/small thing builds off Link’s LinkUp, Associate Artist and Apprentice Producer programs, giving former participants the chance to work together and take the show on the road to other Midwest cities, while bringing in guest artists to share a program here in Chicago. The first iteration will be a split bill between Chicago’s Synapse Arts Collective, driven by choreographer Rachel Damon, and a partnership between Minneapolis-based choreographer Penelope Freeh and composer Jocelyn Hagen. Read the rest of this entry »
The Dance Center of Columbia College partners with Links Hall for this celebration of cutting-edge, unscripted dance. Artists from across the country gather to perform, teach workshops and lead discussions throughout the week. A showcase Monday night at Links kicks things off, followed by a week of cross-disciplinary workshops at the Dance Center. Workshops delve into Contact Improv, using improvisation as a warm-up tool for artistic production, the creating of scores from systems found in life and a two-day class that begins with developing a solo practice and progresses into ensemble work. Read the rest of this entry »
By Sharon Hoyer
Since the advent of the nuclear family and the relegation of our nation’s elderly to nursing homes, we rarely see multiple generations in the same room, much less on the same stage. In “We Hope, Conspire,” Annie Rudnik engages a primarily invisible population. The conspirators: a combined ensemble of non-professional dancers ranging in age from seventeen to late-thirties and residents of Norwood Crossing senior assisted-living home. Performances span three weekends: the last two at Norwood Crossing and this upcoming weekend at the new Links Hall. The change of venue will surely affect the feel of the show, but Rudnik has, without a doubt, created a piece unlike anything you’ve seen. One performer said that being on stage and being in the audience are exactly the same experience. And that experience is tremendously tender, authentic and humane. Rudnik talked about the piece before last Sunday’s performance. Read the rest of this entry »
Core Project Chicago, a multidisciplinary performance and arts outreach collective, teams with Links Hall to present three evenings of dance work by female artists. The presentation is the first by the Core Project folks as part of an apprentice producer program sponsored by Links.
Apprentice Producer Maria Parise has put together a program of short works not only by Core Project choreographers, but some of their regular collaborators as well, including a premiere by Same Planet Different World artistic director Joanna Rosenthal and a multimedia piece by Chicago Danztheatre Ensemble director Ellyzabeth Adler. Read the rest of this entry »
By Sharon Hoyer
“In this day of YouTube and mediated ways of having engagement and interaction, I feel it’s very important to have human-to-human direct experience in the same space,” says Nicole LeGette, founder of blushing poppy productions. “There’s something that situation enables that’s not possible through a mediated technology. That’s one thing with my performance work—it works a lot with energy and with how to activate the imagination and the invisible space. Those things are very difficult to translate in video. It’s about the live, shared experience between performer and audience in a very visceral and I think very human way.” Read the rest of this entry »
Dance makers from New York, San Francisco and Chicago release the reins and remix each other’s work in three nights of performances at Links Hall. New York-based experimental mover Julie Mayo and Madison/Chicago-based Kate Corby—both Links Hall Artistic Associates—invited a handful of choreographers to form creative wrecking crews, surrendering their finished pieces to their colleagues and dancing under their direction. Read the rest of this entry »
A high wind in North Dakota forced Michael Estanich to pull off the highway and videotape the play of prairie grass that “looked like the ocean.” This is the inspiration for RE|Dance’s “Inhabitants of Tall Grass,” an austere trio of great beauty and tenderness. Midwest ancestral blood should stir at the horizontal extensions, the graceful and severe lines—planes on plains—evoking images of broad expanses under vast skies. Read the rest of this entry »
Enid Smith takes inspiration from oil paintings by Chicago artist Andrew Rauhauser for her new piece, entitled “Pier.” Rauhauser’s beautiful and quietly menacing series of paintings depicting ice formations, rocky outcroppings, steel grey waves and frozen pilings along the North Shore inspired Smith to create an interpretation of Chicago winter in late August—a chilly reminder of the season past and to come. Warnecke—Performing Arts Coordinator at the Menomonee Club for Boys and Girls and collaborator/grant writer for Synapse Arts—wrestles with definitions of artistic success in “Grind,” Read the rest of this entry »