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	<title>Newcity Stage &#187; Lyric Opera</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Review: Aida/Lyric Opera</title>
		<link>http://newcitystage.com/2012/03/13/review-aidalyric-opera/</link>
		<comments>http://newcitystage.com/2012/03/13/review-aidalyric-opera/#comments</comments>
		<pubDate>Tue, 13 Mar 2012 16:00:53 +0000</pubDate>
		<dc:creator>Ella Christoph</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Anna Smirnova]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Hui He]]></category>
		<category><![CDATA[Kenneth von Heidecke]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Marcello Giordani]]></category>
		<category><![CDATA[Marco Berti]]></category>
		<category><![CDATA[Michael Black]]></category>
		<category><![CDATA[Quinn Kelsey]]></category>
		<category><![CDATA[Renato Palumbo]]></category>
		<category><![CDATA[Sondra Radvanovsky]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17520</guid>
		<description><![CDATA[RECOMMENDED On paper, at least, the first cast of Lyric Opera’s production of Verdi’s “Aida” that opened in January looked as if it would be the premier cast, and indeed, had a lot going for it with Verdi heroine extraordinaire Sondra Radvanovsky as Aida, Italian tenor Marcello Giordani as Radames and mezzo soprano Jill Grove [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2012/03/13/review-aidalyric-opera/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Rinaldo/Lyric Opera</title>
		<link>http://newcitystage.com/2012/03/03/review-rinaldolyric-opera/</link>
		<comments>http://newcitystage.com/2012/03/03/review-rinaldolyric-opera/#comments</comments>
		<pubDate>Sat, 03 Mar 2012 21:43:53 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[David Daniels]]></category>
		<category><![CDATA[Elza van den Heever]]></category>
		<category><![CDATA[Francesco Negrin]]></category>
		<category><![CDATA[George Frideric Handel]]></category>
		<category><![CDATA[Harry Bicket]]></category>
		<category><![CDATA[Jory Vinkikour]]></category>
		<category><![CDATA[Julia Kleiter]]></category>
		<category><![CDATA[Louis Désiré]]></category>
		<category><![CDATA[Lyric Opera]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17320</guid>
		<description><![CDATA[RECOMMENDED Long before the renaissance of Handel’s operas being performed in their complete form, virtually everyone knew an aria or two from his opera “Rinaldo.” Such pieces, in fact, as they were heard in vocal recitals and on recording anthologies were the only glimpse many opera lovers had into this vast world at a time [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Show Boat/Lyric Opera</title>
		<link>http://newcitystage.com/2012/02/14/review-show-boatlyric-opera/</link>
		<comments>http://newcitystage.com/2012/02/14/review-show-boatlyric-opera/#comments</comments>
		<pubDate>Tue, 14 Feb 2012 21:06:31 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Alyson Cambridge]]></category>
		<category><![CDATA[Angela Renée Simpson]]></category>
		<category><![CDATA[Ashley Brown]]></category>
		<category><![CDATA[Cindy Gold]]></category>
		<category><![CDATA[Edna Ferber]]></category>
		<category><![CDATA[Florenz Ziegfield]]></category>
		<category><![CDATA[Francesca Zambello]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[John DeMain]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Michael Black]]></category>
		<category><![CDATA[Morris Robinson]]></category>
		<category><![CDATA[Nathan Gunn]]></category>
		<category><![CDATA[Oscar Hammerstein II]]></category>
		<category><![CDATA[Paul Robeson]]></category>
		<category><![CDATA[Ross Lehman]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17169</guid>
		<description><![CDATA[RECOMMENDED In the world of musical theater, the genre is divided between B.S.B. (Before Show Boat) and A.S.B (After Show Boat), so revolutionary a work was “Show Boat” when it first premiered nearly eighty-five years ago. So revolutionary, in fact, that we have to almost remind ourselves that “Show Boat” began life as a 1926 [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Players: The Fifty People Who Really Perform in Chicago</title>
		<link>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/</link>
		<comments>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 10:00:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Players 50]]></category>
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		<category><![CDATA[A Streetcar Named Desire]]></category>
		<category><![CDATA[A True History of the Johnstown Flood]]></category>
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		<guid isPermaLink="false">http://newcitystage.com/?p=16595</guid>
		<description><![CDATA[With our criteria shifted back to artistic accomplishment in theater, dance, comedy and opera this year, our task got infinitely tougher. Because while the number of performing venues grows at a steady rate, the increase in the number of noteworthy artists seems to grow exponentially. For everyone we name on the list below, we had [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Lyric Opera announces 2012-2013 season</title>
		<link>http://newcitystage.com/2012/01/17/lyric-opera-announces-2012-2013-season/</link>
		<comments>http://newcitystage.com/2012/01/17/lyric-opera-announces-2012-2013-season/#comments</comments>
		<pubDate>Tue, 17 Jan 2012 22:05:11 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[-News etc.]]></category>
		<category><![CDATA[Opera]]></category>
		<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[André Previn]]></category>
		<category><![CDATA[Engelbert Humperdinck]]></category>
		<category><![CDATA[Gaetano Donizetti]]></category>
		<category><![CDATA[Giacomo Puccini]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[Jules Massenet]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Renée Fleming]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Richard Wagner]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=18329</guid>
		<description><![CDATA[Anthony Freud, general director of Lyric Opera of Chicago, announced today the repertoire, principal singers, conductors, directors, and designers for Lyric’s 2012-13 season. This was Freud’s first news conference since becoming Lyric’s general director on Oct. 1, 2011. Joining Freud for today’s announcement was Sir Andrew Davis, Lyric’s music director; and Lyric’s creative consultant, Renée [...]]]></description>
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		<title>Review: The Magic Flute/Lyric Opera</title>
		<link>http://newcitystage.com/2011/12/13/review-the-magic-flutelyric-opera-2/</link>
		<comments>http://newcitystage.com/2011/12/13/review-the-magic-flutelyric-opera-2/#comments</comments>
		<pubDate>Tue, 13 Dec 2011 20:32:23 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[August Everding]]></category>
		<category><![CDATA[Charles Castronovo]]></category>
		<category><![CDATA[Lorenzo Da Ponte]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Matthew Lata]]></category>
		<category><![CDATA[Nicole Cabell]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Stéphane Degout]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16351</guid>
		<description><![CDATA[RECOMMENDED The perfect Mozart opera? Most would pick “The Marriage of Figaro,” some “Don Giovanni,” perhaps a handful even “Così fan tutte,” all Mozart collaborations with brilliant librettist Lorenzo Da Ponte. And yet, for comedy, fantasy and intrigue, “The Magic Flute” has to top the list. A product of those much romanticized last months of [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Ariadne auf Naxos/Lyric Opera</title>
		<link>http://newcitystage.com/2011/11/29/review-ariadne-auf-naxoslyric-opera/</link>
		<comments>http://newcitystage.com/2011/11/29/review-ariadne-auf-naxoslyric-opera/#comments</comments>
		<pubDate>Tue, 29 Nov 2011 19:46:23 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Alice Coote]]></category>
		<category><![CDATA[Amber Wagner]]></category>
		<category><![CDATA[Anna Christy]]></category>
		<category><![CDATA[Brandon Jovanovich]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Johan Botha]]></category>
		<category><![CDATA[John Cox]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Richard Strauss]]></category>
		<category><![CDATA[Robert Perdziola]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=16221</guid>
		<description><![CDATA[RECOMMENDED During the recently ended Bill Mason era at Lyric Opera, the philosophy was that works of Richard Wagner and Richard Strauss had to alternate for attention to contain costs of the huge orchestra needed for these works. This year, however, the Strauss opera presented, “Ariadne auf Naxos,” employs a chamber orchestra, yet nonetheless was [...]]]></description>
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		<title>Review: Lucia di Lammermoor/Lyric Opera</title>
		<link>http://newcitystage.com/2011/10/11/review-lucia-di-lammermoorlyric-opera/</link>
		<comments>http://newcitystage.com/2011/10/11/review-lucia-di-lammermoorlyric-opera/#comments</comments>
		<pubDate>Tue, 11 Oct 2011 18:59:22 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Catherine Malfitano]]></category>
		<category><![CDATA[Donizetti]]></category>
		<category><![CDATA[Giuseppe Filianoti]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Massimo Zanetti]]></category>
		<category><![CDATA[René Barbera]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Susanna Phillips]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15607</guid>
		<description><![CDATA[&#160; It is telling that in a series of promotional videos that Lyric Opera music director Sir Andrew Davis and creative consultant Renée Fleming made to promote the new season, Davis admits that he is not partial to the bel canto repertoire before he nonetheless waxes on about the melodic appeal of Donizetti’s “Lucia di Lammermoor.” The [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Preview: Stars of Lyric Opera at Millennium Park</title>
		<link>http://newcitystage.com/2011/09/07/preview-stars-of-lyric-opera-at-millennium-park-2/</link>
		<comments>http://newcitystage.com/2011/09/07/preview-stars-of-lyric-opera-at-millennium-park-2/#comments</comments>
		<pubDate>Wed, 07 Sep 2011 08:59:53 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Anna Christy]]></category>
		<category><![CDATA[Emily Fons]]></category>
		<category><![CDATA[Emmanuel Villaume]]></category>
		<category><![CDATA[James Morris]]></category>
		<category><![CDATA[Jamie Barton]]></category>
		<category><![CDATA[Ljubomir Puškaric]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Matthew Polenzani]]></category>
		<category><![CDATA[René Barbera]]></category>
		<category><![CDATA[Renée Fleming]]></category>
		<category><![CDATA[Susanna Philips]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15066</guid>
		<description><![CDATA[RECOMMENDED  Although billed annually as “Stars of Lyric Opera at Millennium Park,” there have been some years where the billing has had a noticeable dog star or two. But this year, the first such concert since soprano Renée Fleming was named creative consultant at Lyric Opera, Fleming’s presence as the reigning superstar soprano in the world today [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Review: Carmen/Lyric Opera</title>
		<link>http://newcitystage.com/2011/03/14/review-carmenlyric-opera-4/</link>
		<comments>http://newcitystage.com/2011/03/14/review-carmenlyric-opera-4/#comments</comments>
		<pubDate>Mon, 14 Mar 2011 20:52:01 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Alain Altinoglu]]></category>
		<category><![CDATA[Bizet]]></category>
		<category><![CDATA[Brandon Jovanovich]]></category>
		<category><![CDATA[Kate Aldrich]]></category>
		<category><![CDATA[Katharine Goeldner]]></category>
		<category><![CDATA[Kyle Kettleson]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Lyric Opera Orchestra]]></category>
		<category><![CDATA[Nadia Krasteva]]></category>
		<category><![CDATA[Nicole Cabell]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12462</guid>
		<description><![CDATA[RECOMMENDED For those Lyric Opera subscribers who missed the October performances of “Carmen” and instead have tickets to the March performances, there is good news: this recast incarnation is a far stronger production. The fall production had been planned around the Lyric debut of mezzo-soprano Kate Aldrich in the title role a mere five years [...]]]></description>
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		<slash:comments>1</slash:comments>
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