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	<title>Newcity Stage &#187; Mozart</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Chicago Opera Theater announces 2012 season</title>
		<link>http://newcitystage.com/2011/03/24/chicago-opera-theater-announces-2011-2012-season/</link>
		<comments>http://newcitystage.com/2011/03/24/chicago-opera-theater-announces-2011-2012-season/#comments</comments>
		<pubDate>Thu, 24 Mar 2011 15:35:06 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Brian Dickie]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Christian Curnyn]]></category>
		<category><![CDATA[Dimitri Shostakovich]]></category>
		<category><![CDATA[Handel]]></category>
		<category><![CDATA[James Darrah]]></category>
		<category><![CDATA[Michael Donahue]]></category>
		<category><![CDATA[Mozart]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13728</guid>
		<description><![CDATA[Here&#8217;s the press release from Chicago Opera Theater: CHICAGO OPERA THEATER ANNOUNCES THE 2012 SEASON BRIAN DICKIE’S LAST SEASON AT CHICAGO OPERA THEATER! Featuring the People’s Opera Winner, Shostakovich’s Moscow, Cheryomushki, The last opera in COT’s “Medea” trilogy, Handel’s Teseo, And a new production of Mozart’s The Magic Flute in the fall of 2012.    [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Eclectica/Joffrey Ballet</title>
		<link>http://newcitystage.com/2010/05/03/review-eclecticajoffrey-ballet/</link>
		<comments>http://newcitystage.com/2010/05/03/review-eclecticajoffrey-ballet/#comments</comments>
		<pubDate>Tue, 04 May 2010 00:25:42 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Dance Reviews]]></category>
		<category><![CDATA[Recommended Dance Shows]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Gerald Arpino]]></category>
		<category><![CDATA[James Kudelka]]></category>
		<category><![CDATA[Jessica Lang]]></category>
		<category><![CDATA[Joffrey Ballet]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Tamara Cobus]]></category>
		<category><![CDATA[Tchaikovsky]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=8995</guid>
		<description><![CDATA[RECOMMENDED With such regular fare as &#8220;The Nutcracker&#8221; and &#8220;Cinderella,&#8221; it&#8217;s easy to forget that the Joffrey has built its reputation as a contemporary ballet company, one likely to lead audiences into reconsideration of the increasingly flimsy boundaries between dance&#8217;s genres. With &#8220;Eclectica,&#8221; a three-piece repertory now at the Auditorium, we can report that the [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Jason/Chicago Opera Theater</title>
		<link>http://newcitystage.com/2010/04/26/review-jasonchicago-opera-theater/</link>
		<comments>http://newcitystage.com/2010/04/26/review-jasonchicago-opera-theater/#comments</comments>
		<pubDate>Mon, 26 Apr 2010 22:41:40 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Baroque Band]]></category>
		<category><![CDATA[Brian Dickie]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Christian Curnyn]]></category>
		<category><![CDATA[Francesco Cavalli]]></category>
		<category><![CDATA[Franco Fagioli]]></category>
		<category><![CDATA[Garry Clarke]]></category>
		<category><![CDATA[Grazia Doronzio]]></category>
		<category><![CDATA[Monteverdi]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Rene Jacobs]]></category>
		<category><![CDATA[Sasha Cooke]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=8908</guid>
		<description><![CDATA[RECOMMENDED The celebrated music director of a major opera company once admitted to me that he thought that Mozart “invented” opera as we know it. “Never mind all of that Monteverdi nonsense,” he pontificated, the works of whom he admitted he had never seen performed, and as if that was all there was before Mozart. [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Marriage of Figaro/Lyric Opera</title>
		<link>http://newcitystage.com/2010/03/08/review-the-marriage-of-figarolyric-opera/</link>
		<comments>http://newcitystage.com/2010/03/08/review-the-marriage-of-figarolyric-opera/#comments</comments>
		<pubDate>Mon, 08 Mar 2010 18:45:06 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Andrea Silvestrelli]]></category>
		<category><![CDATA[Anne Schwanewilms]]></category>
		<category><![CDATA[Civic Opera House]]></category>
		<category><![CDATA[Danielle De Niese]]></category>
		<category><![CDATA[Edward Gardner]]></category>
		<category><![CDATA[English National Opera]]></category>
		<category><![CDATA[Herbert Kellner]]></category>
		<category><![CDATA[Joyce DiDonato]]></category>
		<category><![CDATA[Kenneth von Heidecke]]></category>
		<category><![CDATA[Kyle Ketelsen]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Mariusz Kwiechien]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Sir Peter Hall]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=8295</guid>
		<description><![CDATA[RECOMMENDED Sir Peter Hall’s stellar production of Mozart’s “The Marriage of Figaro” has been a regular visitor here since Lyric first premiered it back in 1987. For the first time, however, Hall himself did not make the trip to direct, and so Herbert Kellner took over the reigns, adding much freshness in the process. British [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: La clemenza di Tito/Chicago Opera Theater</title>
		<link>http://newcitystage.com/2009/04/20/review-la-clemenza-di-titochicago-opera-theater/</link>
		<comments>http://newcitystage.com/2009/04/20/review-la-clemenza-di-titochicago-opera-theater/#comments</comments>
		<pubDate>Mon, 20 Apr 2009 19:40:31 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Recommended Opera]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Harris Theater]]></category>
		<category><![CDATA[Jane Glover]]></category>
		<category><![CDATA[Jean-Pierre Ponnelle]]></category>
		<category><![CDATA[Mozart]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=2503</guid>
		<description><![CDATA[RECOMMENDED You would think that Mozart&#8217;s &#8220;La clemenza di Tito&#8221; (&#8220;the clemency of Titus&#8221;)—a work overflowing with the mature Mozart at his very best, completed and premiered less than three months before his death at the height of his creative genius—would be one of the most performed operas in the repertoire, much like his soon [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Mary Poppins/Broadway in Chicago</title>
		<link>http://newcitystage.com/2009/03/30/review-mary-poppinsbroadway-in-chicago/</link>
		<comments>http://newcitystage.com/2009/03/30/review-mary-poppinsbroadway-in-chicago/#comments</comments>
		<pubDate>Mon, 30 Mar 2009 17:03:48 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Musicals]]></category>
		<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Anthony Drewe]]></category>
		<category><![CDATA[Ashley Brown]]></category>
		<category><![CDATA[Broadway In Chicago]]></category>
		<category><![CDATA[Cadillac Palace Theatre]]></category>
		<category><![CDATA[Cameron Mackintosh]]></category>
		<category><![CDATA[Ellen Harvey]]></category>
		<category><![CDATA[Fred Astaire]]></category>
		<category><![CDATA[Gavin Lee]]></category>
		<category><![CDATA[George Stiles]]></category>
		<category><![CDATA[Humperdinck]]></category>
		<category><![CDATA[Julie Taymor]]></category>
		<category><![CDATA[Matthew Bourne]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[P. L. Travers]]></category>
		<category><![CDATA[Sherman Brothers]]></category>
		<category><![CDATA[Thomas Schumacher]]></category>
		<category><![CDATA[Walt Disney]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=2197</guid>
		<description><![CDATA[With the economy going to hell in a handbasket, how could any of us resist a show that suggests that, rather than invest your money, you might as well throw it to the birds and go fly a kite?  What could be interpreted as subversive back when the 1964 Disney movie first came out sounds [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Abduction from the Seraglio/Lyric Opera</title>
		<link>http://newcitystage.com/2009/03/09/review-the-abduction-from-the-seragliolyric-opera/</link>
		<comments>http://newcitystage.com/2009/03/09/review-the-abduction-from-the-seragliolyric-opera/#comments</comments>
		<pubDate>Mon, 09 Mar 2009 16:32:33 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Opera Reviews]]></category>
		<category><![CDATA[Aleksandra Kurzak]]></category>
		<category><![CDATA[Andrea Silvestrelli]]></category>
		<category><![CDATA[Angela Mannino]]></category>
		<category><![CDATA[Chas Rader-Shieber]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Chicago Symphony Orchestra]]></category>
		<category><![CDATA[David Steiger]]></category>
		<category><![CDATA[Erin Wall]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Matthew Polenzani]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Ravinia Festival]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=1895</guid>
		<description><![CDATA[Once upon a time, the principal responsibility of the director of an operatic production was to make sure that the singers didn’t bump into one another or the scenery on stage.  Then, came the idea of the “concept” director where a novel idea—whether inspired or not, whether logical or not—ruled the day.  It became increasingly [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lyric Opera&#8217;s 2009-2010 season announcement</title>
		<link>http://newcitystage.com/2009/01/28/lyric-operas-2009-2010-season-announcement/</link>
		<comments>http://newcitystage.com/2009/01/28/lyric-operas-2009-2010-season-announcement/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 11:35:00 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Opera]]></category>
		<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Alessandro Corbelli]]></category>
		<category><![CDATA[Ana Maria Martinez]]></category>
		<category><![CDATA[Anne Schwanewilms]]></category>
		<category><![CDATA[Boaz Daniel]]></category>
		<category><![CDATA[Brandon Jovanovich]]></category>
		<category><![CDATA[Bruno Bartoletti]]></category>
		<category><![CDATA[Bruno Campanella]]></category>
		<category><![CDATA[Charles François Gounod]]></category>
		<category><![CDATA[Christine Binder]]></category>
		<category><![CDATA[Daniel Ostling]]></category>
		<category><![CDATA[Daniel Pelzig]]></category>
		<category><![CDATA[Danielle De Niese]]></category>
		<category><![CDATA[Deborah Voigt]]></category>
		<category><![CDATA[Donald Nally]]></category>
		<category><![CDATA[Donizetti]]></category>
		<category><![CDATA[Duane Schuler]]></category>
		<category><![CDATA[Edward Gardner]]></category>
		<category><![CDATA[Elizabeth Futral]]></category>
		<category><![CDATA[Emmanuel Villaume]]></category>
		<category><![CDATA[Frank Corsaro]]></category>
		<category><![CDATA[Frank Lopardo]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gaetano Donizetti]]></category>
		<category><![CDATA[Garnett Bruce]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[George Souglides]]></category>
		<category><![CDATA[Giacomo Prestia]]></category>
		<category><![CDATA[Giacomo Puccini]]></category>
		<category><![CDATA[Giulio Chazalettes]]></category>
		<category><![CDATA[Giuseppe Filianoti]]></category>
		<category><![CDATA[Giuseppe Verdi]]></category>
		<category><![CDATA[Gounod]]></category>
		<category><![CDATA[Hector Berlioz]]></category>
		<category><![CDATA[Herbert Kellner]]></category>
		<category><![CDATA[James Morris]]></category>
		<category><![CDATA[Janáèek]]></category>
		<category><![CDATA[Jason Brown]]></category>
		<category><![CDATA[John Bury]]></category>
		<category><![CDATA[John Relyea]]></category>
		<category><![CDATA[Jonathan Miller]]></category>
		<category><![CDATA[José María Condemi]]></category>
		<category><![CDATA[Joseph Kaiser]]></category>
		<category><![CDATA[Joyce DiDonato]]></category>
		<category><![CDATA[Judith Forst]]></category>
		<category><![CDATA[Karita Mattila]]></category>
		<category><![CDATA[Kyle Ketelsen]]></category>
		<category><![CDATA[Leoš Janáèek]]></category>
		<category><![CDATA[Lucio Gallo]]></category>
		<category><![CDATA[Lyric Opera]]></category>
		<category><![CDATA[Mara Blumenfeld]]></category>
		<category><![CDATA[Marcel Escoffier]]></category>
		<category><![CDATA[Marco Berti]]></category>
		<category><![CDATA[Mariusz Kwiecien]]></category>
		<category><![CDATA[Markus Stenz]]></category>
		<category><![CDATA[Mozart]]></category>
		<category><![CDATA[Nicole Cabell]]></category>
		<category><![CDATA[Paul Groves]]></category>
		<category><![CDATA[Paula Williams]]></category>
		<category><![CDATA[Philippe Giraudeau]]></category>
		<category><![CDATA[Piotr Beczala]]></category>
		<category><![CDATA[Renato Palumbo]]></category>
		<category><![CDATA[René Pape]]></category>
		<category><![CDATA[Renzo Mongiardino]]></category>
		<category><![CDATA[Richard Jarvie]]></category>
		<category><![CDATA[Robert Israel]]></category>
		<category><![CDATA[Robert Perdziola]]></category>
		<category><![CDATA[Roger Honeywell]]></category>
		<category><![CDATA[Salvatore Licitra]]></category>
		<category><![CDATA[Scott Marr]]></category>
		<category><![CDATA[Sir Andrew Davis]]></category>
		<category><![CDATA[Sir Peter Hall]]></category>
		<category><![CDATA[Sondra Radvanovsky]]></category>
		<category><![CDATA[Stephen Costello]]></category>
		<category><![CDATA[Stephen Langridge]]></category>
		<category><![CDATA[Stephen Lord]]></category>
		<category><![CDATA[Susan Graham]]></category>
		<category><![CDATA[Susanna Phillips]]></category>
		<category><![CDATA[Ulisse Santicchi]]></category>
		<category><![CDATA[Vincent Liotta]]></category>
		<category><![CDATA[Violeta Urmana]]></category>
		<category><![CDATA[Vladimir Galouzine]]></category>
		<category><![CDATA[William Mason]]></category>
		<category><![CDATA[Wolfgang Göbbel]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=3855</guid>
		<description><![CDATA[Here&#8217;s the press release from Lyric Opera: Lyric Opera of Chicago’s 55th season begins Saturday, September 26, 2009, at 6:00 p.m. with Sir Andrew Davis conducting Giacomo Puccini’s immortal TOSCA starring Deborah Voigt, Vladimir Galouzine, and James Morris Faust, Ernani, Katya Kabanova, The Merry Widow, The Elixir of Love, The Damnation of Faust, and The [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Players 2009: The 50 people who really perform for Chicago</title>
		<link>http://newcitystage.com/2009/01/13/the-players-the-50-people-who-really-perform-for-chicago/</link>
		<comments>http://newcitystage.com/2009/01/13/the-players-the-50-people-who-really-perform-for-chicago/#comments</comments>
		<pubDate>Wed, 14 Jan 2009 02:11:16 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Players 50]]></category>
		<category><![CDATA[16th Street Theater]]></category>
		<category><![CDATA[A Red Orchid]]></category>
		<category><![CDATA[About Face]]></category>
		<category><![CDATA[Adam Webster]]></category>
		<category><![CDATA[American Theater Company]]></category>
		<category><![CDATA[Amy Morton]]></category>
		<category><![CDATA[Angela Lansbury]]></category>
		<category><![CDATA[Ann Filmer]]></category>
		<category><![CDATA[Anna D. Shapiro]]></category>
		<category><![CDATA[Anthony Moseley]]></category>
		<category><![CDATA[Ardis Krainik]]></category>
		<category><![CDATA[Arthur Sussman]]></category>
		<category><![CDATA[Ashley Wheater]]></category>
		<category><![CDATA[Auditorium Theatre]]></category>
		<category><![CDATA[Barbara Gaines]]></category>
		<category><![CDATA[Beau O’Reilly]]></category>
		<category><![CDATA[Bert Haas]]></category>
		<category><![CDATA[BJ Jones]]></category>
		<category><![CDATA[Black Ensemble Theater]]></category>
		<category><![CDATA[Bonnie Brooks]]></category>
		<category><![CDATA[Bonnie Metzgar]]></category>
		<category><![CDATA[Brett Batterson]]></category>
		<category><![CDATA[Brett Neveu]]></category>
		<category><![CDATA[Brian Dennehy]]></category>
		<category><![CDATA[Brian Dickie]]></category>
		<category><![CDATA[Broadway In Chicago]]></category>
		<category><![CDATA[Carol Fox]]></category>
		<category><![CDATA[Charles Newell]]></category>
		<category><![CDATA[Charna Halpern]]></category>
		<category><![CDATA[Chicago Children’s Theatre]]></category>
		<category><![CDATA[Chicago Dramatists]]></category>
		<category><![CDATA[Chicago Human Rhythm Project]]></category>
		<category><![CDATA[Chicago Opera Theater]]></category>
		<category><![CDATA[Chicago Shakespeare Theater]]></category>
		<category><![CDATA[Chris Jones]]></category>
		<category><![CDATA[CJ Mitchell]]></category>
		<category><![CDATA[Collaboraction]]></category>
		<category><![CDATA[Conor McPherson]]></category>
		<category><![CDATA[Court Theatre]]></category>
		<category><![CDATA[Curious Theatre Branch]]></category>
		<category><![CDATA[Dado]]></category>
		<category><![CDATA[Dance Center of Columbia College]]></category>
		<category><![CDATA[David Catlin]]></category>
		<category><![CDATA[David Cromer]]></category>
		<category><![CDATA[David Schwimmer]]></category>
		<category><![CDATA[Deepa Gupta]]></category>
		<category><![CDATA[Del Close]]></category>
		<category><![CDATA[Delfos Danza Contemporanea]]></category>
		<category><![CDATA[Dennis Letts]]></category>
		<category><![CDATA[Dennis Zacek]]></category>
		<category><![CDATA[Department of Cultural Affairs]]></category>
		<category><![CDATA[Drury Lane]]></category>
		<category><![CDATA[Drury Lane Oakbrook]]></category>
		<category><![CDATA[Drury Lane Water Tower]]></category>
		<category><![CDATA[E. Faye Butler]]></category>
		<category><![CDATA[Elevator Repair Service]]></category>
		<category><![CDATA[Frank Galati]]></category>
		<category><![CDATA[Gary Cole]]></category>
		<category><![CDATA[Gary Griffin]]></category>
		<category><![CDATA[George Balanchine]]></category>
		<category><![CDATA[George Saunders]]></category>
		<category><![CDATA[Gerald Arpino]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Haruki Murakami]]></category>
		<category><![CDATA[Helgi Tomasson]]></category>
		<category><![CDATA[Henry Godinez]]></category>
		<category><![CDATA[House Theatre]]></category>
		<category><![CDATA[Hubbard Street]]></category>
		<category><![CDATA[iO]]></category>
		<category><![CDATA[Jackie Taylor]]></category>
		<category><![CDATA[Jam Theatricals]]></category>
		<category><![CDATA[Jamil Khoury]]></category>
		<category><![CDATA[JANT-BI]]></category>
		<category><![CDATA[Jay Leno]]></category>
		<category><![CDATA[Jay Torrence]]></category>
		<category><![CDATA[Jeffrey Sweet]]></category>
		<category><![CDATA[Jenny Magnus]]></category>
		<category><![CDATA[Jeremy Piven]]></category>
		<category><![CDATA[Jerome Robbins]]></category>
		<category><![CDATA[Jerry Seinfeld]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[Jim Vincent]]></category>
		<category><![CDATA[Joffrey Ballet]]></category>
		<category><![CDATA[John C. Russell]]></category>
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		<guid isPermaLink="false">http://newcitystage.com/?p=1128</guid>
		<description><![CDATA[What makes Chicago&#8217;s theater world special? We picked up the latest issue of Entertainment Weekly for clues. In the cover story, &#8220;CSI&#8221; star William Petersen explains his decision to leave his role as one of the top paid actors in television, earning a rumored $600,000 an episode, to move back to Chicago and Chicago theater: [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2009/01/13/the-players-the-50-people-who-really-perform-for-chicago/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Review: The Marriage of Figaro/Remy Bumppo</title>
		<link>http://newcitystage.com/2008/11/17/the-marriage-of-figaro-remy-bumppo/</link>
		<comments>http://newcitystage.com/2008/11/17/the-marriage-of-figaro-remy-bumppo/#comments</comments>
		<pubDate>Mon, 17 Nov 2008 18:16:29 +0000</pubDate>
		<dc:creator>Dennis Polkow</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
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		<category><![CDATA[Beaumarchais]]></category>
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		<category><![CDATA[Ranjit Bolt]]></category>
		<category><![CDATA[Remy Bumppo]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=792</guid>
		<description><![CDATA[RECOMMENDED “You say you want a Revolution, well you know,” there are pieces that talk about it and then again, there are pieces that actually start one. Napoleon considered Beaumarchais’ “The Marriage of Figaro” the straw that broke the camel’s back that ushered in the French Revolution and, even today, France’s leading newspaper Le Figaro [...]]]></description>
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		<slash:comments>0</slash:comments>
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