Mick Napier has directed plenty of shows at Annoyance Theatre, none of which however, have been sketch comedy. This is the same Napier who founded Annoyance Theatre, directed more than fifteen sketch revues at Second City, directed David Sedaris’ “One Woman Shoe” and directed “Exit 57” for Comedy Central. This is why his mates at Annoyance are so excited that Napier is premiering his newest sketch show, “The Swear Jar,” at his home base, so to speak. “It’s very dirty,” half-laughs managing director Tyler Wolff-Ormes. “And he’s definitely taking advantage of the no-holds-barred attitude of Annoyance.” With musical direction by Lisa McQueen and  a cast featuring Vanessa Bayer, Aidy Bryant, Angela Dawe, Colleen Murray, Andrew Peyton, Conner O’ Malley, Brian Wilson and Chris Witaske, Wolff-Ormes expects great things. “I’m really excited about the cast,” he says. “It’s a powerhouse cast.” The show, $15, opens March 27 and runs through May 1. (Peter Cavanaugh)

Photo: Jane Nicholl Sahlins

By Dennis Polkow

“If Aristophanes were alive today,” says an elderly but still twinkling Bernard Sahlins, “he would be on cable television.”  It may a seem a long way from the satirical ancient Greek playwright to the Second City some two-and-a-half millennia later, but Sahlins, a founder of Chicago’s legendary comedy troupe who is directing a production of “Lysistrata” this weekend, puts the timeframe in perspective: “Long before Second City, when I was directing ‘straight’ plays, including the Greek tragedies, Claudia Cassidy [then Chicago Tribune critic] wrote that I had directed the worst production in 2,000 years.”  Well, she ought to know.

Sahlins says that he has always been interested in Greek drama, a love that was in part fostered by his time studying the classics at the University of Chicago, where he graduated in 1943.  “A University of Chicago education was once described as ‘Casting imaginary pearls before real swine.’ But don’t use that.

“You know, the high point of Greek drama only lasted for about eighty-six years. The period of Sophocles, Euripides, Aeschylus and Aristophanes passed quickly and then there was nothing except street theater until the Middle Ages and the development of church plays. The era of the playwright, the individual dramatist, did not emerge again until the Renaissance and the phenomenon of the playwright as we think of it is a fairly modern phenomenon that really fully came about in the nineteenth century.” Read the rest of this entry »

Mark Sutton/Photo: Bob Knuth

How do you make a satire about a satire?  That meta question goes unanswered—disappointingly so—in Second City’s new show “Rush Limbaugh! The Musical!”  There is so much lacking here, it’s hard to know where to begin.

Say what you will about the man, Limbaugh’s entertainment instincts are impeccable; he knows how to put on a show. Personally, I would have loved to see Second City parse what it is exactly that makes Limbaugh tick as a pop-cultural entity. Creators Ed Furman and T.J. Shanoff (with director Matt Hovde) choose a different track, portraying Limbaugh as a cigar-puffing, money-obsessed boob—which would be fine if it weren’t so predictable.

Let’s back up a moment.  Just about everything Limbaugh says or does has the whiff of satire and farce to it, and it’s never entirely clear how much is carnival barking and how much is true-blue sentiment. But to simply paint the guy as egotistical, racist, venal, sexist and hypocritical, well that’s as reductive as it gets. These are all the usual beefs against the guy, and it’s the obvious route. How do you puncture Limbaugh’s persona—and his wildly successful history of bloviation-as-political-discourse—in a new way?  Frankly I don’t have the answer, but I’m not the one creating a show, either. Read the rest of this entry »

The Addams Family at The Oriental/Photo: Samuel Adams

By Brian Hieggelke

As the wind blows the snow sideways this December evening, the weatherman is telling Chicagoans to stay bunkered; the deserted downtown streets reflect their obedience. All save the sidewalk near the intersection of State and Randolph, as TV crews jockey for faces on the red carpet in front of the Ford Center for the Performing Arts Oriental Theatre, where more than 2,000 patrons, including a who’s who of backstage Broadway, are gathering for the world premiere of a new musical featuring a AAA list of talent, onstage and off. “The Addams Family,” with multiple Tony winners Nathan Lane and Bebe Neuwirth in its leads, a book from the librettists of “Jersey Boys” and so on, is certainly Broadway bound, but tonight—tonight—Chicago is the center of theater in the world.

That’s the story of Chicago theater in the zeroes: the decade in which it grew up and got big. Whether it’s the launch and monumental success of Broadway In Chicago, the maturation and astonishing quality of a remarkable number of small and mid-sized companies or the increasing demand for Chicago product and Chicago talent on Broadway, Chicago theater has fully come into its own. Read the rest of this entry »

2000

Milestones

500 Clown, Steep Theatre, the side project and Teatro Luna are founded

Broadway In Chicago launches as a joint venture between Live Nation and the Nederlander Organization

Goodman departs its original home in the Art Institute of Chicago and moves into $51 million new digs in the North Loop

Chicago Shakespeare moves into a $24 million theater on Navy Pier

Collaboraction produces its first Sketchbook

The City of Chicago’s Department of Cultural Affairs opens The Storefront Theater

Passings

Michael Maggio, Goodman Theatre Associate Artistic Director and Dean of The Theatre School at DePaul University Read the rest of this entry »

Andy St. Clair, Brad Morris/Photo: Bob Knuth

RECOMMENDED

If the comedy revues at Second City hew to a familiar pattern, it’s for a purpose. I don’t always agree with that purpose, but the theater just reached its fiftieth anniversary, so something’s working.  The company’s latest mainstage show may not be its strongest, but it is worth seeing for two reasons: Brad Morris and Andy St. Clair.

“Taming of the Flu” feels especially traditional in its Second Cityness. (Longtime director Mick Napier is at the helm.) This isn’t humor that comes from uncomfortable introspection. The material and its execution is standard stuff. Ultimately it’s up to the cast to differentiate their show from years past and, on that score, Morris and St. Clair do most of the heavy lifting.

I barely noticed Morris three years ago when he joined the mainstage. It can take a little while for performers to figure out where they fit in, and Morris sorted things out by the time he hit the stage in 2008’s “No Country for Old White Men.” Read the rest of this entry »

Here’s the press release announcing the Jeff noms for Equity:

Chicago Theatres Shine in Outstanding Jeff Nominated Productions of 2008-2009 Season

Goodman Theatre and Drury Lane Oakbrook
Top List of Award Nominees

50 Years of The Second City to be Spotlighted
at The Jeff Awards

Thursday, August 27, 2009 – Chicago, IL.   The Jeff Awards today announced 179 nominations in 35 categories for Chicago Equity theatrical productions which opened between August 1, 2008, and July 31, 2009. The Jeff Awards sent judges to the opening nights of 141 productions offered by 57 producing organizations. From these openings, 98 Equity productions were “Jeff Recommended,” which made them eligible for award nominations.

The 41st Annual Jeff Awards ceremony, honoring excellence in professional theatre produced within the immediate Chicago area, will be held on Monday, October 19, at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Boulevard. A pre-show Appetizer Buffet will run from 6:00 p.m. to 7:30 p.m., and the Awards Ceremony, directed by Michael Weber, will begin at 7:30 p.m. The Second City, celebrating 50 years as a producer, will play a featured role at the Jeff Awards ceremony. Advance purchase tickets, which include the ceremony and the pre-show buffet, are $75 ($55 for members of Actors’ Equity Association, United Scenic Artists, Stage Directors and Choreographers Society, and The Dramatists Guild of America). The evening is black tie optional and the public is cordially invited to attend. To purchase tickets, visit the Jeff Awards website at www.jeffawards.org. For more information, contact Equity Chair Diane Hires at equitywing@jeffawards.org. Read the rest of this entry »

The Second City just launched its Neighborhood Tour this month, designed to be an entertaining—and educational—walk through Old Town. Second City originally considered doing an all-Chicago tour, but “we talked about Old Town for an hour and a half. There are so many landmarks and so much history just in Old Town alone,” says Managing Director Jenna Altobelli. The Tour was written by Margaret Hicks, who is also the primary guide. Altobelli says a similar tour had been done before, but time restraints had prevented a revival. “Margaret Hicks came in last year and wanted to bring it back,” she says. “It’s her persistence that made it happen. We’re coming up on our fiftieth anniversary and we’re trying to do some auxiliary things to celebrate our time in this neighborhood and in Chicago.” The tour highlights local bars, homes, churches and architecture, including St. Michael’s Church, Old Town Ale House and Pipers Alley, as well as Second City facilities. While rooted in history, the tour is designed for humor. “It’s based in fact, but there’s also improvisation in there, and it’s funny,” Altobelli says. “It’s not for the major history buff, but it’s for somebody who wants to learn some stuff and have a lot of fun.” The tours run Wednesdays and Sundays through October 4.

Amanda Blake Davis, Beth Melewski, Andy St. Clair, Christina Anthony, Timothy Edward Mason and Tom Flanigan/Photo: Bob Knuth

RECOMMENDED

Second City revues rarely diverge from format.  The rhythms are bright and confident, and comedic actors with darker, more unusual inclinations typically have a steeper learning curve adjusting to the form while retaining some bite.

For audiences, the setup provides a baseline consistency.  It has also served many a Second City alumus very, very well—banging out the same show every night, they leave here with TV-ready experience and polish.

Ultimately, the quality of any revue is contingent on how well its writer-performers mesh—their comedic philosophy, their personalities—and the cast occupying the Second City’s e.t.c. stage is among the best in recent years.  The same cannot be said of their current show, directed by Matt Hovde. Read the rest of this entry »

Here’s the press release from Chicago Dramatists:
CHICAGO DRAMATISTS 2009-2010
Production, Development & Education

Chicago, June 10, 2009 After a massively successful 30th Anniversary Season, Artistic Director Russ Tutterow announced Chicago Dramatists’ 2009-2010 season of programming today, featuring world premiere productions and a slate of programs engaging over five hundred playwrights throughout the year.

Programming will include collaborations with Chicago  institutions such as  Stage Left, The Second City, and the playwriting programs of DePaul and Northwestern University; four quarters of Playwrights’ Studio Classes; the distinguished guests of the Visiting Artists Program (previous artists have included Jeff Daniels, Paula Vogel and Sarah Ruhl); and signature developmental programs such as The Saturday Series, Script Lab and The First Draft Series. World premiere productions of Lucinda’s Bed by Resident Playwright Mia McCullough and Jade Heart by Senior Network Playwright Will Cooper will represent the culmination of plays that have been developed and fine tuned in many of those same programs.

As the only theatre in the country that is both a playwrights’ workshop and a full producing theatre, Chicago Dramatists’ programming focuses on the three major stages of a new play’s life: Production, Development and Education. Working with playwrights at every step of the writing process, Chicago Dramatists will continue its thirty-one-year old mission of developing new plays and playwrights for the American theatre. Read the rest of this entry »