Like “Tribes,” which recently closed at Steppenwolf, this production centers around a tight-knit family whose precariously balanced levels of love and annoyance with each other are thrown for a loop when a new member is introduced into their ranks. In “Tribes” it was Sylvia, a well-meaning girlfriend who pushed the deaf Billy to want more from his life and his family, and in “Russian Transport” it is Boris, a not-so-well-meaning brother of the family matriarch who pushes his nephew to want more than a completely legal job supporting his family.
Playwright Erika Sheffer’s dialogue (a mix of Russian and English) has a nice flow to it, mixing comedy with drama and the heavy topic of international sex trafficking, but under Yasen Peyankov’s direction, the show moves at such a languid pace that in its almost two-and-a-half-hour running time there’s hardly a moment of true suspense or genuine comedy. We can see where this is headed early on when Boris (a cool Tim Hopper, handling a potentially caricatural role with aplomb) arrives in New York from Russia to stay with the family of his sister Diana (a miscast Mariann Mayberry). Read the rest of this entry »