During last Sunday’s unseasonable tornado alert, The Hypocrites inaugurated their holiday season with a fittingly dramatic opening: the remount of their 2012 hit production of “The Mikado.”
It is the reviewer’s great, double-edged privilege to see a show in its early stages, before it has simmered down to a comfortable boil, allowing the flavors to reduce and properly complement each other. And this was the case with “The Mikado.” All the ingredients for last year’s smash hit are probably still there, but the bugs just need to be worked out so that the cast and crew can get settled into the experience.
Gilbert and Sullivan’s “Mikado” is first and foremost a light-opera confection, designed to delight and amuse a willing audience, and it would be an incredibly dedicated Scrooge indeed who wasn’t susceptible to such an exhilarating musical concoction. However, The Hypocrites’ self-designed overture—a guitar and string orchestra of wandering minstrels playing and singing David Byrne and other unfortunate, non-sequitur pop hits—is a special and egregious form of torture, having nothing to do with either the music of Gilbert and Sullivan, nor the ensuing adapted story of the Mikado. Read the rest of this entry »