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	<title>Newcity Stage &#187; Victory Gardens</title>
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	<link>http://newcitystage.com</link>
	<description>Theater, Dance, Comedy and Performance in Chicago</description>
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		<title>Review: Ameriville/Victory Gardens</title>
		<link>http://newcitystage.com/2012/02/07/review-amerivillevictory-gardens/</link>
		<comments>http://newcitystage.com/2012/02/07/review-amerivillevictory-gardens/#comments</comments>
		<pubDate>Tue, 07 Feb 2012 18:00:17 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Brian Sidney Bembridge]]></category>
		<category><![CDATA[Chay Yew]]></category>
		<category><![CDATA[Universes]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=17049</guid>
		<description><![CDATA[Ostensibly about the aftermath of Hurricane Katrina, the dynamic members of New York-based Universes (writers and performers of “Ameriville”) quickly take this high-powered percussion- and vocals-driven show down a twisting American path that leads out of New Orleans and into rapid-fire discussions of topics ranging from homelessness to healthcare to illegal immigrants. By the time [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Players: The Fifty People Who Really Perform in Chicago</title>
		<link>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/</link>
		<comments>http://newcitystage.com/2012/01/19/the-players-the-fifty-people-who-really-perform-in-chicago/#comments</comments>
		<pubDate>Thu, 19 Jan 2012 10:00:56 +0000</pubDate>
		<dc:creator>Jan Hieggelke</dc:creator>
				<category><![CDATA[-News etc.]]></category>
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		<category><![CDATA[Victory Gardens]]></category>
		<category><![CDATA[Waiting for Lefty]]></category>
		<category><![CDATA[Whence]]></category>
		<category><![CDATA[Who's Afraid of Virginia Woolf]]></category>
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		<guid isPermaLink="false">http://newcitystage.com/?p=16595</guid>
		<description><![CDATA[With our criteria shifted back to artistic accomplishment in theater, dance, comedy and opera this year, our task got infinitely tougher. Because while the number of performing venues grows at a steady rate, the increase in the number of noteworthy artists seems to grow exponentially. For everyone we name on the list below, we had [...]]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Review: In The Next Room or The Vibrator Play/Victory Gardens</title>
		<link>http://newcitystage.com/2011/09/20/review-in-the-next-room-or-the-vibrator-playvictory-gardens/</link>
		<comments>http://newcitystage.com/2011/09/20/review-in-the-next-room-or-the-vibrator-playvictory-gardens/#comments</comments>
		<pubDate>Tue, 20 Sep 2011 13:38:35 +0000</pubDate>
		<dc:creator>Monica Westin</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Joel Gross]]></category>
		<category><![CDATA[Kate Fry]]></category>
		<category><![CDATA[Lawrence Grimm]]></category>
		<category><![CDATA[Mark L. Montgomery]]></category>
		<category><![CDATA[Patricia Kane]]></category>
		<category><![CDATA[Polly Noonan]]></category>
		<category><![CDATA[Sandy Shinner]]></category>
		<category><![CDATA[Sarah Ruhl]]></category>
		<category><![CDATA[Tamberla Perry]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15299</guid>
		<description><![CDATA[RECOMMENDED Sarah Ruhl&#8217;s take on an 1880s costume drama both is and is not a historical exploration of electric vibrators as cure-alls for women&#8217;s hysteria during the dawning of the modern age. It&#8217;s also a meditation on the elusive nature of love and desire, and seemingly a call to eros writ large. But it&#8217;s also [...]]]></description>
		<wfw:commentRss>http://newcitystage.com/2011/09/20/review-in-the-next-room-or-the-vibrator-playvictory-gardens/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: Waiting for Lefty/American Blues Theater</title>
		<link>http://newcitystage.com/2011/09/13/review-waiting-for-leftyamerican-blues-theater/</link>
		<comments>http://newcitystage.com/2011/09/13/review-waiting-for-leftyamerican-blues-theater/#comments</comments>
		<pubDate>Tue, 13 Sep 2011 09:01:58 +0000</pubDate>
		<dc:creator>Monica Westin</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[American Blues Theatre]]></category>
		<category><![CDATA[Andrew Burden Swanson]]></category>
		<category><![CDATA[Bradford R. Lund]]></category>
		<category><![CDATA[Cherly Graeff]]></category>
		<category><![CDATA[Clifford Odets]]></category>
		<category><![CDATA[Derek Gaspar]]></category>
		<category><![CDATA[Gwendolyn Whiteside]]></category>
		<category><![CDATA[John Byrnes]]></category>
		<category><![CDATA[John Möhrlein]]></category>
		<category><![CDATA[Kimberly Senior]]></category>
		<category><![CDATA[Manny Buckley]]></category>
		<category><![CDATA[Mechelle Moe]]></category>
		<category><![CDATA[Rinska Carrasco-Amazing]]></category>
		<category><![CDATA[Sarah Burnham]]></category>
		<category><![CDATA[Suzanne Petri]]></category>
		<category><![CDATA[Terry Hamilton]]></category>
		<category><![CDATA[Victory Gardens]]></category>
		<category><![CDATA[Warren Levon]]></category>
		<category><![CDATA[Zachary Kenney]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=15172</guid>
		<description><![CDATA[RECOMMENDED Clifford Odets&#8217; 1935 play centering around a cab drivers&#8217; union planning a strike, first staged by the massively influential Group Theatre in New York, has become one of those plays you read in history and literature classes but rarely see produced these days, when most theater companies tend to believe that audiences are allergic [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Review: The Homosexuals/About Face Theatre</title>
		<link>http://newcitystage.com/2011/06/20/review-the-homosexualsabout-face-theatre/</link>
		<comments>http://newcitystage.com/2011/06/20/review-the-homosexualsabout-face-theatre/#comments</comments>
		<pubDate>Mon, 20 Jun 2011 14:46:17 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[About Face Theatre]]></category>
		<category><![CDATA[Bonnie Metzgar]]></category>
		<category><![CDATA[Patrick Andrews]]></category>
		<category><![CDATA[Philip Dawkins]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13693</guid>
		<description><![CDATA[RECOMMENDED Working backwards in time from 2010 to 2000 in two-year increments bracketed by time-specific pop songs, this moving world premiere by Chicago playwright Philip Dawkins follows the evolution of a shy Iowan, Evan (Patrick Andrews), and the interrelationships between his tight-knit group of friends as he makes his way in the big city, learning [...]]]></description>
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		<slash:comments>1</slash:comments>
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		<title>Chinglish Lessons: The playwright on the Chicago summer of David Henry Hwang</title>
		<link>http://newcitystage.com/2011/06/15/chinglish-lessons-the-playwright-on-the-chicago-summer-of-david-henry-hwang/</link>
		<comments>http://newcitystage.com/2011/06/15/chinglish-lessons-the-playwright-on-the-chicago-summer-of-david-henry-hwang/#comments</comments>
		<pubDate>Wed, 15 Jun 2011 09:01:10 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Profiles]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Chay Yew]]></category>
		<category><![CDATA[David Henry Hwang]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Halcyon Theatre]]></category>
		<category><![CDATA[Jamil Khoury]]></category>
		<category><![CDATA[Jonathan Pryce]]></category>
		<category><![CDATA[Malik Gillani]]></category>
		<category><![CDATA[María Irene Fornés]]></category>
		<category><![CDATA[Murray Rednick]]></category>
		<category><![CDATA[Patrick Hills]]></category>
		<category><![CDATA[Robert Falls]]></category>
		<category><![CDATA[Sam Shepard]]></category>
		<category><![CDATA[Silk Road Theatre Project]]></category>
		<category><![CDATA[Theatre Communications Group]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13546</guid>
		<description><![CDATA[By Dennis Polkow Although his diverse career spans more than thirty years and has encompassed television, movies, performance art, opera and musicals, 53-year old playwright and Los Angeles native David Henry Hwang is best known for his 1988 Tony Award-winning Broadway play “M. Butterfly” and as the preeminent voice of the Asian-American experience. His words [...]]]></description>
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		<title>Review: The Gospel According to James/Victory Gardens Theater</title>
		<link>http://newcitystage.com/2011/05/22/review-the-gospel-according-to-jamesvictory-gardens-theater/</link>
		<comments>http://newcitystage.com/2011/05/22/review-the-gospel-according-to-jamesvictory-gardens-theater/#comments</comments>
		<pubDate>Sun, 22 May 2011 22:45:06 +0000</pubDate>
		<dc:creator>Zach Freeman</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Andre De Shields]]></category>
		<category><![CDATA[Charles Smith]]></category>
		<category><![CDATA[Chuck Smith]]></category>
		<category><![CDATA[Linda Kimbrough]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=13265</guid>
		<description><![CDATA[RECOMMENDED Writing about horrific events in our nation’s past is always a difficult endeavor—how to make a show interesting, relevant and poignant without becoming overly didactic or resorting to finger-pointing. With “The Gospel According to James,” playwright Charles Smith deftly addresses the events surrounding a double-lynching in 1930s small-town Indiana with compassion and candor. Meeting [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Review: Circle Mirror Transformation/Victory Gardens Theater</title>
		<link>http://newcitystage.com/2011/03/07/review-circle-mirror-transformationvictory-gardens-theater/</link>
		<comments>http://newcitystage.com/2011/03/07/review-circle-mirror-transformationvictory-gardens-theater/#comments</comments>
		<pubDate>Tue, 08 Mar 2011 01:30:09 +0000</pubDate>
		<dc:creator>Neal Ryan Shaw</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Theater Reviews]]></category>
		<category><![CDATA[Carmen Roman]]></category>
		<category><![CDATA[Dexter Bullard]]></category>
		<category><![CDATA[Steve Key]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=12278</guid>
		<description><![CDATA[RECOMMENDED Dexter Bullard has been on a roll lately, delivering a number of productions, each of which, at least for this reviewer, has been somewhat obscure in its intentions until its final moments, in which the play seems to crack like a whip. His latest is Annie Baker’s 2010 Obie Award-winning play about the teacher [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Victory Gardens announces 2011-2012 season</title>
		<link>http://newcitystage.com/2011/02/08/victory-gardens-announces-2011-2012-season/</link>
		<comments>http://newcitystage.com/2011/02/08/victory-gardens-announces-2011-2012-season/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 19:06:37 +0000</pubDate>
		<dc:creator>Erin Kelsey</dc:creator>
				<category><![CDATA[Season Announcements]]></category>
		<category><![CDATA[Theater]]></category>
		<category><![CDATA[Eric Ting]]></category>
		<category><![CDATA[Goodman]]></category>
		<category><![CDATA[Jackie Sibblies Drury]]></category>
		<category><![CDATA[Jessica Thebus]]></category>
		<category><![CDATA[John Logan]]></category>
		<category><![CDATA[Sandy Shinner]]></category>
		<category><![CDATA[Sarah Ruhl]]></category>
		<category><![CDATA[Teresa Rebeck]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=14090</guid>
		<description><![CDATA[Here&#8217;s the press release from Victory Gardens: Victory Gardens announces its 2011-2012 season Season to include works by John Logan, Sarah Ruhl, Theresa Rebeck and Jackie Sibblies Drury Chicago, IL— Artistic Director Dennis Zacek and Executive Director Jan Kallish announce the 2011-2012 Victory Gardens season.  The season will include In the Next Room or the [...]]]></description>
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		<title>Review: The Boys Room/Victory Gardens</title>
		<link>http://newcitystage.com/2011/02/08/review-the-boys-roomvictory-gardens/</link>
		<comments>http://newcitystage.com/2011/02/08/review-the-boys-roomvictory-gardens/#comments</comments>
		<pubDate>Tue, 08 Feb 2011 16:30:49 +0000</pubDate>
		<dc:creator>brianhey</dc:creator>
				<category><![CDATA[Recommended Shows]]></category>
		<category><![CDATA[World Premiere]]></category>
		<category><![CDATA[Allison Torem]]></category>
		<category><![CDATA[Joe Dempsey]]></category>
		<category><![CDATA[Joel Drake Johnson]]></category>
		<category><![CDATA[Mary Ann Thebus]]></category>
		<category><![CDATA[Steve Kay]]></category>
		<category><![CDATA[Victory Gardens]]></category>

		<guid isPermaLink="false">http://newcitystage.com/?p=11987</guid>
		<description><![CDATA[RECOMMENDED This world-premiere play by Victory Gardens ensemble playwright Joel Drake Johnson has a lot going for it, including managing to get some cutting-edge dark humor out of the increasingly popular phenomenon of middle-aged grown-ups returning to their parental nests, seeking to recapture the carefree and cocoon-like childhood existence that they think they remember when [...]]]></description>
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